Facebook Memes

The image presents a two-panel meme featuring screenshots from what appears to be a television show. In the top panel, there is a man without a shirt on, sitting in a subway car, holding a newspaper. He has a confident and somewhat confrontational expression. Superimposed text labels this man as "shitposters," a term often used to describe people who post provocative, irrelevant, or off-topic messages online, usually with the intent of derailing a conversation or to provoke a reaction.

The bottom panel shows another man seated on the same subway car. He is wearing a green jacket and has a look of disbelief or disapproval on his face. This man is labeled "casual Facebookers," which could refer to people who use Facebook in a more conventional or casual manner, presumably less familiar with or disapproving of the edgy and often irreverent humor displayed by "shitposters."

The first man proudly declares "I'M NOT ASHAMED OF my memes," suggested in his body language and facial expression that he is defiantly proud of the content he creates or shares, despite it being unconventional or deemed inappropriate by some. His boldness and lack of shirt perhaps symbolizes the unfiltered and raw nature of the content he represents.

The second man responds, "EXACTLY. THAT'S THE PROBLEM. YOU SHOULD BE." This expresses a judgmental perspective, indicating that what the "shitposter" takes pride in should actually be a source of shame, reflecting a clash of internet cultures where traditional social media users do not always appreciate or understand the nuances of "shitposting."

The humor in this image may stem from the exaggerated stereotype of these two internet subcultures. "Shitposters" are comically depicted as unabashed and unapologetic about their disruptive or absurd posts, while "casual Facebookers" are represented as the uptight or conventional social media users who are scandalized by such behavior.

The meme's comedic effect also lies in the relatability for social media users who have witnessed or been a part of such exchanges online. The exaggeration of the characters' personalities and the imagined conversation between them highlight the ever-present and sometimes humorous tension between different types of social media users and their varying approaches to online interaction. shitposters I M NOT ASHAMED OF my memes casual facebookers EXACTLY THAT S THE PROBLEM YOU SHOULD BE

shitposters I M NOT ASHAMED OF my memes casual facebookers EXACTLY THAT S THE PROBLEM YOU SHOULD BE

The image depicts a woman posing for a photograph with a life-sized puppet or ventriloquist's dummy that is dressed as a small boy. The woman is smiling and seems happy, wearing a professional-looking gray suit, while the puppet has an exaggeratedly cheerful expression, complete with large eyes, a wide mouth, and rosy cheeks.

At the top of the image, there's a caption that reads "Couples with a joint Facebook account," poking fun at the idea of couples sharing a single Facebook account. The humor here relies on the juxtaposition of a living person with an inanimate puppet, sarcastically suggesting that one partner in a joint account may not be seen as having their own separate identity, akin to the puppet's lack of autonomy.

This type of humor plays on social norms surrounding independence and individuality within relationships. The use of a puppet, which is typically controlled by another person, underscores the joke that one person in the relationship may be controlling the joint account, or at least dominating the shared online presence.

People might find the image funny because it exaggerates the dynamic that can occur with joint accounts, where friends and acquaintances may feel uncertain about who they're communicating with – is it the woman or the puppet-like partner? The absurdity of the puppet standing in for a human amplifies this confusion.

The image also plays on the familiarity of seeing portraits or snapshots of couples and subverts the expectation by replacing one member of the couple with a clearly artificial and comical figure. The puppet's garb, reminiscent of old-fashioned children's attire, adds to the whimsy and out-of-place feeling the image conveys.

Lastly, this image might tap into a wider commentary on the blurring of online identities and the way people present their relationships on social media. It humorously comments on the loss of individuality that can be perceived when couples present themselves as a singular, inseparable entity online, offering a lighthearted critique through visual satire. Couples with a joint Facebook account

Couples with a joint Facebook account

The image depicts a well-known animated character, who is recognized for his skull-like face, yellow complexion, and burly blue physique clad in a purple hood and cloak. The character is seen with his arms outstretched and a wide-open mouth, as if he is shouting or declaring something with quite some force. This presentation of the character gives an intense and passionate energy, as if he is in the midst of a powerful proclamation.

The scene is set against a chaotic backdrop that looks like a broken environment, with wooden planks and debris adding to the intensity of the moment. This adds to the theatrical nature of the character's pose, suggesting a moment of peak drama or heightened emotion, as if he's reached a climactic point in a story or is overcome by fervor.

Text overlaid on the image reads, "DEAR FACEBOOK, STOP ASKING WHAT’S ON MY MIND, WE BOTH KNOW IT’S AGAINST COMMUNITY STANDARDS!!!" This statement plays humorously on the familiar prompt from the social media platform Facebook that asks users to share what is on their minds, encouraging them to make a post.

The humor in this image arises from the juxtaposition of a cartoon villain, typically associated with plots and schemes, and the everyday use of a benign social media platform. By imploring a website to stop inquiring about his thoughts, the character humorously acknowledges that what goes on in his mind is likely to be sinister or contentious – so much so that it would violate the community guidelines set to maintain a civil environment online.

Moreover, the exaggerated expression of the character adds a comedic effect to the meme. His intense and dramatic outrage is played for laughs, emphasizing the over-the-top reaction to a simple and mundane feature of social media. This hyperbolic anger about an innocuous prompt underlines the absurdity and humor of the situation.

Lastly, the image might evoke laughter because it pokes fun at the concept of censorship and the often complex and controversial nature of content moderation on social media platforms. The character humorously suggests that social media's efforts to safeguard community standards are so stringent that even the thoughts of a fictional character might be too scandalous to share. It's a light-hearted commentary on how users sometimes feel constricted by the rules governing what they can say or share online. DEAR FACEBOOK STOP ASKING WHAT S ON MY MIND WE BOTH KNOW IT S AGAINST COMMUNITY STANDARDS

DEAR FACEBOOK STOP ASKING WHAT S ON MY MIND WE BOTH KNOW IT S AGAINST COMMUNITY STANDARDS

The image presented is a humorous meme that features a photoshopped picture of a man popping his head and part of his upper body out of a sewer manhole, with a cheeky smile on his face. Around the manhole, there is smoke which creates a dramatic effect, as if he emerged swiftly or mysteriously. The caption above the image reads, "that one facebook friend that only pops up to disagree with you…" and is attributed to "costamemebureau."

The humor in this image lies primarily in the metaphorical comparison suggested by the caption. The man emerging from the sewer manhole represents the type of Facebook friend who rarely makes an appearance on one's timeline or in conversations but makes a point of showing up only to express a contradictory opinion. This comparison exaggerates the sporadic yet impactful nature of such interactions on social media.

The juxtaposition of the everyday scenario of checking Facebook and the unusual sight of a person coming out of a manhole adds to the comedic value of the image. The surreal image of a man emerging from underground infrastructure in the middle of a cityscape is an unexpected and exaggerated visual representation of a common social media experience.

The choice of a smiling face on the man coupled with the smoke also suggests a sense of mischief, as if the person relishes the act of popping up unexpectedly to challenge others' views. This contributes to the portrayal of these individuals as somewhat antagonistic but in a light-hearted, almost cartoonish way.

The photography and photoshop manipulation assist in delivering the joke by creating a seamless integration of the man with the urban environment, reinforcing the unrealistic yet amusing scenario. The clarity and focus on the man's expression capture the audience's attention and emphasize the personified stereotype of the argumentative Facebook friend.

Lastly, the meme resonates with people's experiences on social media, where diverse and often conflicting opinions are common. The comedic element stems from the audience's ability to relate to the experience of having a friend who behaves in a similar manner, making the idea of them comically appearing from a manhole solely to disagree a universally funny concept for anyone familiar with social networking dynamics. that one facebook friend that only pops up to disagree with you costamemebureau

that one facebook friend that only pops up to disagree with you costamemebureau

The image shows a person with their face superimposed onto the body of a character who appears to be restrained in an electric chair. The person is wearing a brown and tan shirt with what looks like a prisoner's number, and there is a metal headpiece attached to their head, suggesting an impending execution.

The text overlaid on the image reads, "WHEN FACEBOOK GETS TIRED OF PUTTING YOUR ASS IN FACEBOOK JAIL." This phrase references the notion of "Facebook Jail," which is a colloquial term used by social media users to describe being temporarily banned or having limited access to features on Facebook for violating the platform's community standards or guidelines.

The humor in the image is derived from the hyperbolic comparison between the relatively minor consequence of being put in Facebook Jail and the dramatic and severe punishment of being in an actual jail or, more specifically, sentenced to the electric chair. It exaggerates the reaction of Facebook to repeated violations, implying a comically extreme measure for repeat offenders.

People might find this image funny due to its satirical take on how social media platforms enforce their rules, and it plays on the frustration users might feel when they are penalized on the network. The joke also taps into the public discourse about social media moderation, freedom of speech, and the perceived authoritarian nature of the platforms' enforcement policies.

Additionally, the juxtaposition of an everyday scenario—someone being penalized on a social media website—with the gravitas of a life-or-death situation creates an absurdity that can be amusing. This sort of exaggeration is a common technique in humor to highlight the triviality of the original scenario.

Finally, the image's humorous effect is bolstered by the customization of the original movie scene, where the superimposed face of the person adds a personal touch, potentially making the meme relatable to individuals who have experienced similar sanctions on social media and can laugh about the frustration as a shared experience. WHEN FACEBOOK GETS TIRED OF PUTTING YOUR ASS IN FACEBOOK JAIL

WHEN FACEBOOK GETS TIRED OF PUTTING YOUR ASS IN FACEBOOK JAIL

The image appears to be a vintage black and white photo showing a comical physical altercation between two individuals dressed in early 20th-century attire. The person on the left is wearing a jester's hat, suggestive of a fool or comic character from historical periods. They are depicted with arms outstretched as if to strike the person on the right. The person on the right is dressed in a tight-fitting suit, making an exaggerated theatrical pose with a hand extended forward and a look of mock terror on their face.

Superimposed text adds a layer of modern humor and context to the image. The jester is labeled "community standards", while the character on the right has the caption "Facebook" just above their head, and the lower part of the image includes the caption "me with my bullshit." This text frames the interaction as a farcical representation of a user's content on Facebook running afoul of the platform's community standards.

The comedic element stems from the anachronistic juxtaposition of the vintage image with contemporary social media terms. The exaggerated postures and costuming already give the photo an innate sense of slapstick, which is then amplified by the labels suggesting a narrative that many viewers familiar with social media might relate to personally.

The image might be seen as funny due to the relatability of the scenario it presents. Many users of social media have experienced moments where their posts have been flagged or removed due to community standards. The image pokes fun at this situation by equating the policies governing content on social platforms to a medieval jester aggressively dealing with the nonsense (or "bullshit") that users might attempt to post.

Additionally, the sense of humor can be attributed to the anthropomorphism of abstract concepts. Facebook’s community guidelines are an intangible set of rules, but here they are humorously represented by a physical character. The action of being metaphorically 'slapped' by the guidelines for stepping out of line brings a human element to the often impersonal and automated process of content moderation online.

Finally, the image garners humor from the dramatization of a usually mundane interaction. The submission, review, and potential removal of content are typically not visual or dynamic events. However, in this image, these actions are exaggerated and dramatized, using theatrical motions to create a scene with heightened emotion, which contrasts with people's typical experiences on the platform, lending it a hyperbolic and whimsical air that viewers might find amusing. community standards Facebook me with my bullshit

community standards Facebook me with my bullshit

The image presents an absurd and humorous scenario with overlaid text reading, "Me at my own funeral getting one more Facebook ban before I go to hell." This text is placed above a digitally altered picture showing a person in a casket appearing to use a smartphone. The casket itself seems to be positioned in a room that looks like it could be used for funeral services, adding to the dark comedic juxtaposition between the solemnity of funerals and the casualness of social media use.

The humor in this meme primarily stems from the juxtaposition of life and death with the trivialities of modern digital life. Funerals are inherently serious occasions that signify a person's final departure from the living world. In contrast, getting banned from Facebook is a trivial event in the grand scheme of life, and placing such a minor inconvenience in the context of one's own funeral underlines the silliness of worrying about social media standing.

Another layer of the joke relies on the idea that someone's habits or addictive behaviors with social media are so strong that they persist even beyond the grave. The person in the casket, an undead figure, mockingly engages with their phone one last time, a poke at the idea that for some, social media is as enduring as the afterlife. The morbid concept of checking social media from the afterlife is delightfully absurd.

Additionally, the comical statement "before I go to hell" suggests a self-deprecating sense of humor, as the person lying in the casket is seemingly unconcerned about the moral or spiritual implications of their afterlife, but rather humorously preoccupied with the mundane issue of being banned from a social platform. This sort of tongue-in-cheek acknowledgment of personal failings can be particularly relatable and amusing to people who also take a light-hearted view of their missteps.

Moreover, the reaction to being banned from a platform like Facebook is typically one of frustration or annoyance. To imagine that as a foremost concern at one's own funeral caricatures the overinvestment in digital presence and offers commentary on how intertwined online life has become with daily existence, poking fun at the possibility of digital concerns overshadowing even the most critical moments of human life.

Lastly, the image appeals to a broader commentary on contemporary social behavior. It reflects the ubiquitous nature of technology and how it can lead to comical, if not slightly troubling, reflections on personal priorities. The exaggerated scenario depicted in the meme thus finds humor in the absurd and speaks to the pervasive role of social media in modern life, satirizing its reach even into the traditionally reverent and solemn space of a funeral. Me at my own funeral getting one more Facebook ban before I go to hell

Me at my own funeral getting one more Facebook ban before I go to hell

This image shows an opossum with an edited-in pair of dark sunglasses perched atop its head, holding a cigarette in one paw and what appears to be a fast-food style cup with a straw in the other. The opossum's facial expression is one of tiredness or disinterest, contributing to the overall humorous effect of the picture.

The text above the opossum reads, "How I wake up ready to post memes all day and be a complete menace on Facebook," which implies a subversive and rebellious attitude, adding a layer of humor by attributing human social media behavior to a wild animal. This contrast between the opossum's natural behavior and the suggested human-like activity is intrinsically amusing.

Below the opossum, the caption "Good morning assholes" complements the image's theme, reinforcing the irreverent attitude the image conveys. The disheveled appearance of the opossum, paired with the derogatory greeting, suggests a rough start to the day, which might resonate humorously with people who experience grumpy mornings or a disdain for early hours.

The cigarette and the fast-food cup are clearly photo-edited into the opossum's paws, which adds an additional layer of absurdity since these are items typically associated with humans, not animals. This visual incongruity of seeing an opossum in a human-like pose, enjoying human vices, can be amusing due to its stark deviation from reality.

The joke is amplified by the association of the opossum's appearance with the stereotype of a person who stays up late, might be grumpy in the morning, and uses social media in a confrontational or troll-like manner. The image humorously suggests that after waking up in such a state, the opossum is ready to engage in mischievous or disruptive online activities.

Overall, the humor in this image arises from the personification of the animal with typically human traits, objects, and behaviors that are unexpected and incongruous with its natural demeanor. The opossum's portrayal as a grumpy, rebellious social media user, ready to stir up trouble, offers a lighthearted commentary on internet culture and might elicit laughter or knowing smirks from people who recognize themselves or others in the meme. How I wake up ready to post memes all day and be a complete menace on Facebook Good morning assholes willhat memes

How I wake up ready to post memes all day and be a complete menace on Facebook Good morning assholes willhat memes

This image features a character that closely resembles Thanos, the fictional supervillain from the Marvel Cinematic Universe, particularly as depicted in the Avengers series of movies. Thanos is shown grasping his infamous gauntlet, which is typically adorned with the powerful Infinity Stones in the Marvel narrative.

However, in this humorous take, the Infinity Stones have been replaced with icons representing the different reactions available on a popular social media platform: a thumbs-up for "Like," a heart for "Love," a laughing face for "Haha," a surprised face for "Wow," an angry face for "Angry," and a sad face for "Sad." These reaction icons are emitting colorful beams much like the Infinity Stones do when used in the Marvel films.

The text above the character reads "When your post gets all six reactions." This caption adds a layer of humor as it juxtaposes the immense, universe-altering power of Thanos' Infinity Stones with the significantly less dramatic event of receiving a full set of reactions on a social media post. This comparison plays on the idea that getting a variety of reactions on a post might be felt as a small, personal victory akin to Thanos achieving his goal of collecting all the powerful gems.

The humor comes from the exaggerated sense of accomplishment one might feel when a post receives a diverse range of responses from an online audience. The image sarcastically equates the trivial event of internet interactions to the epic achievement of a well-known movie antagonist.

The image might be particularly funny to individuals familiar with both the Marvel Cinematic Universe and the culture of social media. Fans of superhero films would recognize the importance of the Infinity Stones to Thanos and appreciate the twist of using social media symbols. Moreover, those active on social media might relate to the satisfaction of engaging with a broad audience through their posts.

The combination of pop culture references and everyday digital experiences creates a relatable and amusing meme for those who understand both contexts. The image plays into the modern tendency to find humor in elevating mundane activities to the level of grandiose fiction, thereby crafting a lighthearted commentary on the small triumphs of digital social life. When your post gets all six reactions

When your post gets all six reactions

The image presented shows three individuals standing outdoors engaged in what seems to be a conversation or confrontation. The setting appears to be in a rural or park-like environment with trees and grass in the background.

The individual in the center exudes a particularly striking presence due to his vividly colored clothing, which contrasts substantially with the more traditional and muted attire of the other two individuals. He wears a cap and a jacket with an extremely bright and flamboyant pattern, drawing immediate attention.

On his left, there is an elderly man holding a hat, who appears to be responding skeptically to a statement made by the central person. His body language and facial expression suggest a mixture of disbelief and annoyance. He is dressed in a conventional manner, wearing a dark coat that signifies a serious or formal occasion.

To the right of the colorful character stands another elderly person, who is in mid-speech and dressed in what seems like a more historical or perhaps cinematic costume with a classic hat. This individual's attire and demeanor provide a sense of gravitas, yet their involvement in the scene adds a layer of anachronism or misplaced seriousness.

The humor in the image seems to arise from the juxtaposition of the central figure’s modern, psychedelic fashion and the more soberly dressed companions, creating a visual comedy. Additionally, the image has been modified with speech bubbles, contributing to a narrative suggesting conflict over the veracity of something, with one person expressing indignance over having their words fact-checked. But what adds additional comedic value is the use of the name "Albert," possibly a humorous reference to Einstein (given the white hair of the character on the left) and the absurdity of needing a fact-checker for a casual conversation.

There's wordplay involved: one character claims that being followed is "the law now," pointing to an absurd or nonsensical legal change, while the skepticism of his companions suggests incredulity at such a notion. In the context of humorous discourse, these speech bubbles might imply a satirical take on the current social or political climate, where literal fact-checking during informal discourse could be seen as both ludicrous and intrusively pedantic. It s the law now No he followed me Albert you brought a bloody fact checker to my house

It s the law now No he followed me Albert you brought a bloody fact checker to my house

This image is a humorous meme contrasting two scenarios labeled "HUSBAND & WIFE AT HOME" and "ON FACEBOOK." In the upper half, which represents "at home," two cats are portrayed in a domestic setting where one cat is aggressively smacking the other. It appears to be a chaotic and unflattering moment between the two cats, which conveys a sense of discord or playful conflict.

In the "on Facebook" part of the meme, the lower half shows a single cat gracefully stretching upwards with its eyes closed, as if in a moment of bliss or peace. The background features a serene sunset, adding to the sense of tranquility and perfection portrayed in this image. It suggests an idealized or deliberately presented image of harmony and contentment.

The humor in the meme mainly stems from the exaggerated dichotomy between the authentic, unpolished interaction of the cats "at home" and the curated, flawless portrayal "on Facebook." This reflects a common social commentary on how people tend to present an idealized version of their lives on social media, which might not align with their real-life experiences.

Moreover, the use of cats to depict a husband and wife scenario adds an element of cuteness and absurdity since it anthropomorphizes the animals into roles typically occupied by humans. Applying human relationship dynamics to cats – known for their independent and sometimes indifferent behavior – is part of the meme's comedic effect.

People might find this funny because it resonates with the widespread awareness of the discrepancies between real life and social media representations. In a world where social media presence is carefully curated, this meme humorously acknowledges the common practice of showing only the best parts of one's life online, while the more challenging or mundane aspects remain hidden.

Finally, the choice of cats as subjects takes advantage of the internet's love for feline antics and humor. Cats have long been a staple of online meme culture, and their expressive faces and behaviors lend themselves well to depicting a wide range of human emotions and situations, often in an amusing and endearing way. HUSBAND WIFE AT HOME ON FACEBOOK

HUSBAND WIFE AT HOME ON FACEBOOK

The image presented shows a man with a dark beard and hair looking somewhat perplexed or bemused. Above this image, there is a caption that reads, "When the Facebook post says 18 comments but you only see 7." Below the image, the man's supposed dialog follows: "Well, well, well, if it ain't the Invisible C***." The text humorously censors one letter, implying a swear word that starts with the letter 'C,' yet it's implied that the word should be 'Comments.'

The humor of this image primarily stems from the juxtaposition of a common online experience with an exaggerated and human reaction. Social media users often encounter discrepancies between the number of comments reported on a post and the number they can actually see due to various privacy settings or moderation actions. This can lead to confusion and curiosity about the 'missing' comments.

The use of the phrase "Well, well, well, if it ain't the Invisible..." as a mock introduction to an unseen entity adds to the humor. It is as if the speaker in the picture is addressing the missing comments as if they were an old acquaintance playing a game of hide and seek, which personifies the comments in a light and humorous manner.

The image of the man adds a cinematic quality to the meme, as his facial expression and the dim lighting give the impression of a scene from a drama or thriller, usually associated with serious or intense moments. This contrast with the petty everyday frustration of social media glitches creates a comedic effect.

Moreover, the incomplete swearing alludes to the exasperation one might feel when confronted with this social media snafu without being overtly offensive. The fact that the word 'Comments' should logically complete the phrase but is instead humorously replaced by a censored suggestive word plays with the expectations of the reader, enhancing the comedic effect.

Finally, the implied swearing is a humorous device because it reflects how trivial everyday annoyances can provoke an oversized reaction. By using a word that is socially considered strong or inappropriate in the context of missing digital comments, the image lampoons the sometimes disproportionate emotional investment people have in their online interactions. When the Facebook post says 18 comments but you only see 7 Well well well if it ain t the Invisible C

When the Facebook post says 18 comments but you only see 7 Well well well if it ain t the Invisible C

This image contains a selfie of an individual with a distinctly amused or mischievous facial expression. The subject is wearing glasses and has a prominent bald head, with a visible hairline featuring dyed purple hair on one side. The individual is also wearing a purple shirt which matches their hair and a rainbow-colored lanyard or strap, which adds a vivid contrast to the image. The lighting suggests the photograph was taken inside a vehicle.

Above the individual, overlaying the image is a block of white text that reads, "Fakebook fact checker looking at your profile." The humor in this meme-format image presumably stems from the irreverent and satirical take on the idea of a "fact checker" on social media platforms like Facebook, which has a formal and somewhat mundane job role. The humorous twist is that the fact checker is depicted in a whimsical and exaggerated way.

The term "Fakebook" instead of "Facebook" suggests a possible commentary on the nature of authenticity on social media platforms or could be a playful jab at the various falsehoods and misinformation that circulate on such sites. The characterization of the fact checker here is visually jarring and contrasts with the expected impersonal and professional image one might associate with the activity of fact-checking.

The joke appears to lie in the disparity between the serious task of fact-checking content online and the comical portrayal of the person supposedly doing it. The expression on the face of the person in the picture adds to the comedic effect, as it is unexpected and incongruent with what the text describes, leading to a kind of visual and conceptual punchline.

The image might be funny to people because it subverts expectations and plays with the contrast between official roles and informal, playful imagery. It takes an ordinarily serious subject like fact-checking and flips it into something light-hearted and quirky, offering a humorous take on the reality behind how social media operations are perceived.

The use of vivid colors, particularly the purple hair and the rainbow strap, further exaggerates the picture's playful nature, as these elements are often used to signify non-conformity and celebration of diversity. The image, coupled with the text, might tickle the funny bone of those who enjoy sarcasm and humor that comes from flipping the script on otherwise ordinary or bureaucratic elements of life. Fakebook fact checker looking at your profile

Fakebook fact checker looking at your profile

The image presented is a meme that features a photograph of a person, whose head is popping up from the bottom with only the top part of their face visible above an illustrated brick wall. The meme includes a caption that says, "me reading the messages via the notifications bar & pretending to not be online." The humorous aspect stems from the visual metaphor of the person peeking just over a wall which aligns with the text, suggesting a sneaky or covert behavior to avoid detection.

The brick wall depicted in the image visually represents the barrier between being online and offline, or visible and invisible, in the context of digital communication. The person's eyes peering over the top of the wall mimic the act of checking messages discreetly, without opening the messaging app or alerting others to their online presence.

The humor arises from the relatable situation many people find themselves in when using their smartphones. It is common for individuals to want to check their messages without immediately responding or acknowledging the sender, for various reasons such as not having the time to engage in a conversation or simply wanting to take a moment before replying.

The image might be funny to people because it takes a digital habit, common in the era of instant messaging and online status indicators, and illustrates it in a literal, physical way. The exaggerated sneakiness of peering over a brick wall — a heavy, tangible object — to do something as lightweight and intangible as reading a notification creates a comical contrast.

Furthermore, the anonymity and sneakiness implied in the caption resonate with the popular culture phenomenon of "lurking," where one observes online activity covertly without engaging or revealing their presence. This behavior is humorously amplified by the image of just the eyes and part of the forehead visible, as if the person is hiding and barely managing to peek at their notifications.

Lastly, the idea of pretending not to be online when one is, in fact, checking messages is a humorous nod to the social intricacies and etiquette of digital communication. People often find humor in truth, and this image excellently portrays a modern truth about how we handle our online interactions, making it amusing to a broad audience well-versed in the quirks of technology. me reading the messages via the notifications bar pretending to not be online

me reading the messages via the notifications bar pretending

The image portrays a man expressing a gesture of refusal or stop with his hand while looking somewhat disapproving or admonishing. Above the image, there is a caption that reads "when you add someone and they start trying to call you on messenger," followed by a quote attributed to the man in the picture saying "We don't do that here."

The setting appears to be from a scene in a movie, with the man dressed in an elaborate and culturally rich outfit that suggests a royal or prestigious context. The man's stance and facial expression communicate a distinct boundary being set, one that is not up for negotiation.

The humor in this image arises from the relatability of the experience it describes. Adding someone to a messenger service typically implies a willingness to communicate via text or instant messaging. However, when the newly added contact immediately attempts to call, it can come as an unexpected and often unwelcome surprise.

The phrase "We don't do that here" adds a humorous universality to the personal boundary being set. It's as if this unwritten social rule of messaging etiquette is understood and enforced across various contexts, similar to the rules that might govern behavior in a formal or cultural setting like the one from which the man in the attire originates.

This image may also be funny because it juxtaposes the seriousness of the man's expression and the levity of modern-day digital communication issues. The character, who seems to be of significant stature, dealing with something as trivial as messenger etiquette invites a chuckle at the contrast between the grand setting and the mundane problem.

Lastly, the meme format itself is a popular means to convey shared feelings or experiences in a comedic way, often by pairing an image with hyperbolic text that exaggerates a reaction to a relatable situation. People might find it amusing because it captures and reflects a common annoyance in the digital age, wrapping a universal sentiment in an exaggerated yet fitting visual commentary. when you add someone and they start trying to call you on messenger We don t do that here

when you add someone and they start trying to call you

Girls on FB be like You guys like my new sweater

Girls on FB be like You guys

The image depicts a seemingly humorous situation wherein a person is pulling on a tree with a rope, and on the other end, a black bear appears to be pulling back. Above the image, text reads "A VISUAL REPRESENTATION OF WHAT I DO ON FACEBOOK." The scene is set in a wooded area with trees and some underbrush visible around them.

The humor in this image largely stems from the absurdity of the situation. Bears are wild animals and certainly not creatures one typically engages with in a tug-of-war. The image is further made comical by overlaying a metaphor comparing the activity to an action performed on Facebook, implying some sort of struggle or contest.

It's funny because many people can relate to encountering stubborn or challenging situations on social media platforms such as Facebook. The comparison of engaging with these online challenges to physically tugging a rope against a bear is an exaggerated and whimsical way to express frustration or the competitive nature of social interactions online.

The bear's nonchalant posture, seemingly engaged in this contest of strength unwittingly or with casual interest, contributes to the comedic value. It's as if the bear has no idea why it's being roped into this battle of wills, mirroring how sometimes people find themselves caught in unforeseen arguments or debates online.

Moreover, the image also plays with the popular internet culture of creating memes that anthropomorphize animals, ascribing them human behaviors or roles in relatable life scenarios. The bear, in this case, becomes a stand-in for the various "opponents" one might encounter on Facebook, whether they are people with different opinions or complex algorithms that determine what content users see.

Lastly, the humor in this image could also be interpreted as a self-deprecating joke about the person who posted it. By labeling the visual representation as "what I do," they are cheekily admitting that their actions on social media might be as pointless as having a tug-of-war with a bear, highlighting the sometimes futile nature of online interactions in a light-hearted, humorous manner. A VISUAL REPRESENTATION OF WHAT I DO ON FACEBOOK

A VISUAL REPRESENTATION OF WHAT I DO ON FACEBOOK

The image appears to be a screen capture from a film or television show featuring a character whose expression conveys a mixture of contempt and disappointment. The image's text is a meme that reads, "When you check the mutual friends of an OBVIOUS [inappropriate bot] and see the homies:" with the word "Pathetic" boldly labeled at the bottom. The meme's text combined with the character's expression creates a humorous scenario that plays on contemporary social media experiences.

The humor in this image arises from the relatability of dealing with spam or automated accounts on social media. The mention of checking mutual friends is a real action that many users take when determining the legitimacy of an account that might have contacted them or appear in their notifications. The use of the word "OBVIOUS" in capital letters emphasizes that the bot isn’t fooling anyone with its intentions.

It becomes even more amusing when the meme suggests that the person has found mutual friends with the bot, indicated by the phrase "and see the homies". This insinuation leads to an ironic and slightly embarrassing revelation that their own friends have connected with the bot, either ignorantly or naively.

The use of the word "homies" colloquially refers to close friends, and seeing them associated with a spam account brings an amusing sense of betrayal or absurdity. The person checking the mutual friends likely expects better discernment from their social circle, hence the humor in the unexpected discovery.

The term "Pathetic," placed at the bottom of the meme, captures the feeling of the person who has discovered this connection. The single word is a judgment not only on the bot but also subtly on the friends who accepted or interacted with it. The character’s expression of disapproval aligns perfectly with the sentiment, as if he himself is casting the judgment.

While the text of the meme provides the core of the joke, the character's face plays a crucial role in the humor. His expression, which appears both unimpressed and slightly annoyed, adds a dramatic emphasis to the word "Pathetic." This dramatization enhances the comedic effect, as the gravity of his look contrasts with the trivial nature of social media interactions, escalating a common, relatively insignificant event to something seemingly profound. When you check the mutual friends of an OBVIOUS porn bot and see the homies Pathetic

When you check the mutual friends of an OBVIOUS porn bot

This image is a two-panel meme that humorously contrasts two different styles of expression, especially as they might be seen on social media platforms like Facebook. In the left panel, the text reads, "MOST PEOPLE ON FACEBOOK," above an illustrated character who is tiptoeing delicately and appears to be trying very hard not to disrupt anything. This character is dressed in all black, with a black turtleneck, pants, and a mask over the eyes, reminiscent of a mime or perhaps a cartoon thief character known for stealth and careful movements.

Below the tiptoeing character, the text says, ""I DON'T WANT TO OFFEND ANYONE"" which suggests that the character's careful movements are a metaphor for how many people carefully construct their posts and comments on Facebook in order not to upset or offend anyone. This behavior might be recognized by many as a cautious approach to online interactions, where people can sometimes be very sensitive to comments or posts that may be construed as offensive.

In the right panel, the word "ME:" is placed above an image of a bull standing amidst a china shop, which is a scenario known for its potential for chaos and destruction. The black bull, with its considerable size and strength, contrasts sharply with the delicate surroundings and smashed porcelain plates and cups that lie broken around its feet.

This chaotic scene is juxtaposed with the delicate tiptoeing in the left panel, suggesting that the person posting this meme considers themselves more like the bull in a china shop when interacting on Facebook—less concerned with offending anyone and more straightforward, possibly leading to more disruptive or blunt interactions.

The humor of the meme comes from the exaggeration and absurd contrast between the careful, almost comical cautiousness of the left side and the notoriously disastrous bull in the china shop on the right. It creates a comedic effect by using hyperbole to highlight the differences in people's social media behavior.

The meme taps into common social experiences and the relatable feeling of sometimes feeling out of place or too direct in social situations that call for delicacy. People who feel that they are more direct or blunt in conversation may find it particularly funny as it playfully acknowledges their own non-conformity in a world that often values careful speech and diplomacy. MOST PEOPLE ON FACEBOOK I DON T WANT TO OFFEND ANYONE ME

MOST PEOPLE ON FACEBOOK I DON T WANT

This image features a character that resembles a Muppet, specifically evocative of Miss Piggy from the Muppets franchise. With a large snout and wide, prominent eyes, the character embodies a cartoonish style. The character is adorned with a purple eye shadow and is posed in a somewhat glamorous manner with what appears to be a curly hairstyle.

A caption above the character reads, "when she's not getting enough attention on her fb [Facebook] posts." Below the character, a superimposed black bar with white text states "New hair cut." This juxtaposition suggests that the character is announcing a new haircut, presumably to attract attention on social media.

The humor in this image likely arises from the exaggerated and humorous way in which social media behavior is portrayed. It plays on the notion that some individuals might resort to various tactics to garner more likes, reactions, or comments on their social media posts.

The phrase "New hair cut" is a commonly seen trope on social media platforms such as Facebook, where users often share personal updates and changes in their appearance. This image pokes fun at the idea that a new haircut might be used as a strategy to boost one's online presence and engagement.

Another layer of humor may come from the fact that the character depicted is not a real person but a Muppet-like caricature. This adds an absurd twist to the scenario, heightening the comedic effect by applying real-life social media behaviors to a fictional, anthropomorphic character.

The humor may also resonate with the audience's recognition of the truth in the satire—that social media can be a place where people are, at times, seeking validation and attention through various means, no matter how trivial they may seem, such as showcasing a new haircut. The image comically exaggerates this social media phenomenon, which is why some people might find it amusing. when she s not getting enough attention on her fb posts New hair cut

when she s not getting enough attention on her fb posts

The image presented is of a meme, which shows an emotional embrace between two people. The person being embraced appears to be an older man with glasses and a beard who is portrayed in a moment of relief and joy. Overlaid on the image is text that reads, "When you see a funny meme, then Facebook refreshes, but you find it again" and below within the image, additional text states, "I thought I'd lost you, boy!"

The humor in this meme comes from the exaggerated emotional response to what is typically a trivial situation—losing and then refinding a meme on Facebook. The image and text suggest that finding the meme again after an automatic refresh is akin to an overwhelmingly joyous reunion, much like finding a lost family member or a beloved pet.

The scene captured in the meme likely originates from a dramatic film or television show, where the context of the embrace would be a deeply emotional or serious moment. However, the text repurposes this intensity for a comedic effect by relating it to a common, mundane experience of using social media.

The exaggerated sentimentality of the statement "I thought I'd lost you, boy!" is intended to be humorous because it equates the temporary loss of a meme to a heartfelt concern for an actual person. The meme plays on the over-dramatization often found in internet culture, where minor inconveniences are magnified for comedic effect.

People might find this image funny because it pokes fun at the way we sometimes get attached to the content we see online. The idea of experiencing a significant sense of loss over a digital image underscores the sometimes-disproportionate emotional investment we have in our online interactions.

Furthermore, the meme taps into a shared experience that many Facebook users can relate to. The frustration of losing something you were just looking at due to an automatic refresh can be annoying, and seeing this small annoyance depicted in such an exaggeratedly dramatic way might bring a wry smile or laugh to those familiar with the annoyance. When you see a funny meme then Facebook refreshes but you find it again I thought I d lost you boy

When you see a funny meme then Facebook refreshes

This image shows a grassy outdoor area with a series of prominent, equally spaced mounds of earth. At a glance, it becomes clear that each mound marks a spot where a fence post was previously installed. The ground where the posts were dug in appears freshly disturbed, and the soil is darker than the surrounding grass, emphasizing the absence of the posts.

At the top of the image, there is a bold caption that states, "THESE POSTS WERE REMOVED," which is a straightforward declaration explaining the visible scene. However, immediately below the mounds of earth, there is another caption that reads, "BECAUSE SOMEONE TOOK A FENCE." This statement plays on the double meaning of "took a fence" as it can refer to both the physical removal of a fence and to being offended, hence taking umbrage.

The humor stems from the visual pun created by the image and the captions. While the literal interpretation is that the fence posts were indeed removed from the ground, the captions, when read together, suggest an alternate scenario where someone became offended -- as if the posts themselves had caused an affront.

At the bottom of the image, there's a watermark of "FENCE OKC” with a description saying "RESIDENTIAL. COMMERCIAL. INDUSTRIAL," which provides the name of what is likely a fence installation company, and offers context that this image may be part of an advertisement or social media post from the company. The inclusion of the company logo adds a touch of self-aware marketing humor to the image.

The presence of the watermark also encourages the interpretation of the image as a lighthearted and clever advertisement strategy. The company is likely using a play on words to draw attention to their services in a memorable way, which adds an additional layer of wit to the visual pun.

The image might be particularly amusing to English speakers who have an appreciation for wordplay and puns. The double entendre presented by the term "took a fence" can provoke a chuckle as the reader connects the literal image to the unexpected figurative interpretation of the phrase. THESE POSTS WERE REMOVED BECAUSE SOMEONE TOOK A FENCE

THESE POSTS WERE REMOVED BECAUSE SOMEONE TOOK A FENCE

Facebook was down for half a day on Mar 5th 2024

The image displays a person with a neutral expression, seemingly in mid-conversation. The person is wearing a gray sweater, and the background of the photo is a nondescript, darkened color that helps to focus attention on the subject. There's a caption overlaid at the top of the image that reads, "If you all don't start behaving I'll turn it off again."

The caption, combined with the person's stoic facial expression, might strike viewers as amusing because it resembles a common scenario where a figure of authority, like a parent or teacher, threatens to remove a privilege or enforce discipline if certain behaviors are not corrected. The humor derives from imagining this person in such an authoritative role, verbally cautioning an unseen group.

It may be comical to some people because the caption appears to attribute significant power to the person in the image, insinuating they have control over a commonly used service or system that can be turned off at will. The situation could be seen as a playful jab at authority, and the humor might stem from the incongruity of the serious statement with the person's calm and unemotional demeanor.

Since the individual in the picture is not being identified, the joke could be interpreted in a general sense, alluding to anyone in a position of control — creating a broader comedic appeal. This is particularly true in today's digital age, where service interruptions can cause widespread reactions, and the idea of an individual having the power to "turn off" a service might be a playful nod to modern societal dependencies.

The jovial nature might also lie in the exaggeration of the caption. People often find humor in the hyperbolic, where ordinary situations are escalated in language to invoke an emotional response or to highlight the absurdity of a condition. The threat to "turn it off" can remind people of moments when exaggerated threats are made for effect, rather than with a real intent of follow-through.

Additionally, the concept of "behaving" and the choice of phrase can remind people of their own experiences, potentially triggering a humorous connection to times when such phrases were directed at them, especially in childhood. The incongruity of this childlike admonishment with the stern, adult-like image of the person may add a layer of irony, making the image funny to a wide audience who can relate on some level. If you all don t start behaving I ll turn it off again

If you all don t start behaving I ll turn it

Facebook community standards board member

Facebook community standards board member

The image is a screenshot of a social media post with two distinct parts. In the upper portion of the image, there is a profile photo of a person, presumably the account owner, alongside a status update. The profile picture shows a young individual with a neutral expression. Below the photo, the status update has a blue heart icon and text that reads, "In a Relationship with Desiree Marie," indicating a romantic engagement with a person by that name. Directly following this announcement, it states, "Today with Desiree Marie," suggesting that the relationship status is a recent change.

The accompanying text in the status message is seemingly lighthearted or tongue-in-cheek: "She needed some papers so I married her." This sentence implies that the motivation for marriage was to help the partner, named Desiree Marie, with some sort of paperwork, which often is a humorous reference to obtaining residency or citizenship through marriage. Some people might find this kind of blunt honesty comical, especially since marriage is traditionally associated with love and commitment rather than transactional reasons.

Beneath the initial post, the humor is compounded by a response that appears to come from Desiree Marie herself, as indicated by the highlighted name. Her comment reads, "Ain't have to put my business out there like that.." This implies that she is playfully chiding the original poster for disclosing their private reasons for marriage so openly on social media. The casual language and the seeming exasperation add a layer of relatability and humor to the exchange.

The reactions to the initial post make the social aspect of the humor evident. With 329 reactions, largely represented by "like" and "laughing" emojis, it's clear that the audience of this post has engaged with the content positively and finds amusement in the straightforwardness of the declaration. The vast number of shares—585—further illustrates that the content has a certain viral appeal, likely due to its humorous nature.

The interest of the onlookers or the social media community is also apparent in the comment's reception. There are 140 likes on Desiree Marie's remark, suggesting that people are entertained not only by the original post but also by the interaction between the two individuals involved. It shows a playful banter that's often appreciated in social media exchanges.

The humor in the image is multi-faceted: it plays on societal expectations about marriage, presents a candid revelation that goes against the norm, and showcases a lighthearted interaction between two people that seems genuine and humorous. It captures a moment of levity amongst the usual curated and sometimes serious nature of relationship announcements on social media. In a Relationship with Desiree Marie Today with Desiree Marie She needed some papers so I married her 329 585 Shares Desiree Marie Ain t have to put my business out there like that

In a Relationship with Desiree Marie Today with Desiree Marie She

The image shows a cartoon airplane with a smiley face superimposed over a background depicting an explosion in an urban area. At the top, there's a caption that reads, "When you post something super controversial on Facebook and just go to bed." The meme utilizes an amusing contrast between the cartoon plane's cheerful demeanor and the chaotic scenario in the background.

The visual juxtaposition of the contented airplane against the backdrop of destruction is striking and forms the bedrock of the humor inherent in the image. The airplane appears blissfully unaware or unaffected by the havoc below, evoking a sense of carefree or perhaps mischievous disregard for the fallout that is likely occurring on the ground.

The caption provides context that suggests the airplane represents a person who has posted a provocative or contentious statement on social media, then disengaged by going to sleep. This behavior might be seen as humorous because it paints a picture of someone who deliberately starts a heated online debate or argument and then casually absents themselves from the ensuing chaos.

The humor can also be seen as a commentary on the nature of online interactions, where people can drop divisive comments or opinions into a public forum and then disconnectedly withdraw, not having to face immediate or personal repercussions as they would in face-to-face interactions. It plays on the modern phenomenon of social media where controversy can be stirred up instantaneously, creating virtual ‘explosions’ of debate and conflict.

On a deeper level, this image can be funny because it resonates with the audience’s understanding of the sometimes absurd nature of internet culture. There is a certain ironic pleasure taken in acknowledging the escapism that social media affords, allowing individuals to affect others’ emotions and discussions without staying to witness the results of their actions.

Lastly, the humor in this image may come from a place of relatability for viewers who have either witnessed this phenomenon themselves or been guilty of it. Recognizing the truth in the social satire, people might find unexpected joy or humor in the ridiculousness of the situation and in the reflection of their online behavior and the online culture at large. When you post something super controversial on Facebook and just go to bed made with mematic

When you post something super controversial on Facebook and just go

The image is a meme that features a man with a stern, somewhat indignant expression on his face. The background appears to be from a television show or an interview setting, with a blurred out bright area to his side that might be studio lighting or part of the set design. The man is shown from the chest up, wearing a dark shirt or jacket.

At the top of the image, there is bold, capitalized text that reads, "WHEN YOU GET KICKED OFF OF FACEBOOK FOR A MEME." This text sets up the context for the image, suggesting a scenario where someone has been removed or temporarily banned from the social media platform specifically because of a meme they posted or shared.

The bottom of the image contains more text, presumably the punchline or the reaction that corresponds to the man's disgruntled facial expression. It reads, "WHERE DO YOU THINK I FOUND THE MOTHERFUCKER?" indicating the person's incredulity towards being penalized for sharing something that they had originally found on the same platform.

The humor in this meme stems from the irony and frustration of being punished for sharing content that is already circulating within the same platform. It also plays on the exasperation that one might feel upon being disciplined for an action that seems relatively benign or commonplace online, such as sharing memes.

People might find this funny because it reflects a common experience or sentiment among social media users, where the rules and guidelines for what content is acceptable can often seem inconsistent or opaque. It might resonate with anyone who has been surprised by the enforcement of social media regulations.

Additionally, the use of strong language in the punchline adds an element of shock or boldness that can be humorous to some. Coupled with the expressive face of the man, it implies a scenario where an ordinary activity leads to an unexpectedly severe consequence, tapping into a sort of shared schadenfreude or the amusement at the minor misfortunes of others. WHEN YOU GET KICKED OFF OF FACEBOOK FOR A MEME WHERE DO YOU THINK I FOUND THE MOTHERFUCKER

WHEN YOU GET KICKED OFF OF FACEBOOK FOR A MEME

The image presented is a humorous and digitally manipulated photograph that depicts a woman lying flat on her back on a tiled floor. The comedic aspect of the image stems from the superimposed transparent figure that appears to be leaping out of the woman's body, giving the impression that something ethereal or intangible is leaving her physical form.

Above the image, there is a caption that reads, "The maturity leaving my body whenever I log into FB," accompanied by a slightly amused, blush-faced emoji. The text is essential to the humor, as it sets the context for interpreting the otherwise ambiguous imagery. The notion here is personifying 'maturity' as something that can physically depart from a person much like a spirit or ghost.

The visual joke hinges on a common cultural observation that people may often engage in less mature or more frivolous behavior while using social media platforms like Facebook. The image suggests that upon logging into Facebook, a person's maturity escapes, perhaps indicating their propensity to indulge in the less serious or more trivial aspects of the online world.

Why this might be funny to some viewers lies in the relatability and exaggeration. Many users can relate to spending time on social media in ways that might not be considered the most productive or mature, such as participating in humor, meme culture, or light-hearted banter. This shared experience is presented in a hyperbolic and visual form, which could resonate humorously with an audience that sees their own habits reflected in the image.

The figure The maturity leaving my body whenever I log into FB

The maturity leaving my body whenever I log into FB

The image in question features a macro consisting of a still photograph of a man with a perplexed and somewhat indignant expression on his face. The image is overlaid with white block text on a black background at the top, framing the central figure's head. Below the image, there is additional text, completing the statement started above. The text is a comedic take on an assumed scenario.

The text at the top reads, "WHEN YOU GET KICKED OFF OF FACEBOOK FOR A MEME," which sets up the context for the joke. It refers to the sometimes controversial nature of memes and the social media platform's regulations regarding content that users post. This introduction primes the viewer for a punchline related to online behavior and community guidelines.

Below, the text states, "WHERE DO YOU THINK I FOUND THE MOTHERFUCKER?" This serves as the punchline, delivering the humor of the meme. The humor arises from the ironic scenario where a person is penalized for sharing content that was originally discovered on the same platform inflicting the penalty.

The individual's facial expression enhances the comical impact of the meme. His incredulous look and furrowed brow suggest a mix of confusion, frustration, and an appeal for common sense, effectively conveying the absurdity of the situation imagined by the text.

What might be funny to people about this image is the ironic and somewhat absurd situation it describes, which many users of social media may find relatable. It touches on the sometimes arbitrary WHEN YOU GET KICKED OFF OF FACEBOOK FOR A MEME WHERE DO YOU THINK I FOUND THE MOTHERFUCKER

WHEN YOU GET KICKED OFF OF FACEBOOK FOR A MEME

This image features a digitally created character sitting in front of a computer screen apparently reacting with an exaggerated, furious expression. The character is depicted with a messy environment around them, including food stains on their clothing and the desk, as well as scattered items that suggest a lack of orderliness.

At the top of the image, the words "FACEBOOK FACT CHECKER" are prominently placed, which appear to title the character and their role. The text encapsulates the idea that the character is someone responsible for verifying the accuracy of information on the social media platform Facebook.

The humor in the image arises from several elements, including the hyperbolic nature of the character's expression. Their outsized reaction, with eyes bulging and mouth wide open in a mid-yell, almost feels comical because it is such an over-the-top portrayal of someone encountering something unexpected or aggravating.

Additionally, the disarray surrounding the character—such as the clutter on the desk and the food stains—adds to the comedic effect. It introduces a stereotype about overworked individuals who may forgo neatness and personal care in their intense focus on work, which in this case is 'fact-checking'. The state of the workstation and the character's disregard for cleanliness add a slapstick quality to the image.

The humorous contrast also comes from the discrepancy between the seriousness of a fact-checker's job—which involves critical thinking and attentiveness—and the cartoonish, chaotic depiction of the character in the image. This juxtaposition can FACEBOOK FACT CHECKER

FACEBOOK FACT CHECKER