Offensive Memes

This meme employs shock humor with a character that appears to be Skeletor from 'He-Man' being superimposed next to an intentionally abrasive message. The humor is derived from the juxtaposition of a childhood cartoon character with a grown-up and blunt dismissal of being offended, suggesting that one should simply ignore content they dislike rather than react negatively.

OFFENDED? LEARN TO SCROLL FUCK FACE

Sexaul position number 47 The George Floyd

Sexaul position number 47 The George Floyd

The image presented is a four-panel meme showing two people in a close embrace. The first panel depicts a man and woman in an intimate position with the man asking, "How did you get out of the house?" The scene includes speech bubbles, a standard element in comic strips, to convey dialogue between the characters.

In the second panel, the woman responds, "I told my husband the truth." This reply sets up an expectation in the viewer's mind that she might have had a serious conversation with her spouse, possibly about her whereabouts or actions.

Moving on to the third panel, the viewer sees the man further inquire with the question, "What did you tell him?" This continuation of the conversation builds suspense as the viewer is led to wonder what truthful, possibly serious, admission the woman made to her husband.

The fourth and final panel delivers the punchline, with the woman stating, "I told him I was going out to get white bred." It becomes immediately apparent that the humor arises from the wordplay at the heart of the joke. The woman has played on the similarity in pronunciation between "white bread," a common bakery item, and "white bred," a homophone that within the context of the intimate scene implies a double entendre involving the man's race and the concept of being "bred" or engaging in sexual activity.

The humor in the image might be considered funny to some due to the unexpected twist of the punchline. The joke relies on the setup of a seemingly honest confession that leads to an anticipation of a serious or mundane statement about her actions. The punchline subverts this expectation with a play on words that turns the conversation into a suggestive joke.

It is important to note that this type of humor might not be universally appreciated. While some may find the wordplay and the surprise element of the punchline amusing, others may find it in poor taste due to its suggestive nature or the implication of infidelity. The perception of the joke's humor is subjective and can be influenced by individual tastes and societal norms. How did you get out of the house I told my husband the truth What did you tell him I told him I was going out to get white bred

How did you get out of the house I told my husband the truth What did you tell him I told him I was going out to get white bred

This sentence can be considered funny or ironic for several reasons. For one, humor often relies on surprise, and the surprise here lies in the blunt verbiarness and shock value of the sentence. The question is a sudden, candid articulation of a thought many might have privately entertained but never voiced. Hence, the outrageousness of the statement can make it humorous.

Second, the sentence's humor relies on the implied irony. The speaker paradoxically wonders how an individual who might be considered unattractive can still have multiple children, making an assumption that attractiveness is directly correlated to reproductive success. Yet, most people understand that personality, chemistry, emotional connection, timing, and many other factors often matter more in determining who ends up having children with whom - making the speaker's bewilderment amusingly naive.

Third, the humor arises from the societal expectation that 'ugly' individuals are not supposed to have such 'success'. The irony is that despite society's stereotype regarding ugliness and desirability, here is an individual who defies those norms. That contrast between what's typically expected versus what has happened creates a humorous effect.

The fourth element of humor is the sarcastic empathy it implies, where the sentence is making a harsh assessment of someone else's life choices. This reveals more about the person making the judgement than the one being judged, ironically implying a shallow perspective tied to attractiveness. The humor lies in audacity and the self-revealing nature of the judgment.

Moreover, the humor stems from the mismatch between the slang language used in the sentence and the topic it addresses. The coarse language and the urban vernacular style employed in addressing a 'taboo' topic provides a humorous contrast, suggesting a laid-back and irreverent attitude towards a somewhat sensitive subject.

Lastly, the humor in this sentence lays in its universality. It might be rude, politically incorrect, or even offensive, yet it addresses a universal concept that most people across various cultures can understand — the puzzling nature of attraction, relationships and human reproduction. It's the nerve it hits, the shared human experience it explores, that makes the sentence comical despite its blatant audacity.
YOU EVER SEE AN UGLY BITCH WITH FIVE KIDS AND BE LIKE WHO KEEPS FUCKIN YOU

YOU EVER SEE AN UGLY BITCH WITH FIVE KIDS AND BE LIKE WHO KEEPS FUCKIN YOU

The image you've presented appears to be a humorous meme that combines real-life photography with an illustration. On the left side, there's a photo of a man sitting on a bench with his face buried in his hands, possibly indicating sadness or distress. To the right, an illustration of a character, reminiscent of Skeletor from the 'He-Man and the Masters of the Universe' series, is superimposed, as if standing next to the seated man.

At the top of the image, there is a caption that reads, "IF I EVER OFFENDED YOU, I'M SORRY........" which positions the text as if it's a direct spoken apology from the illustrated character to the man hiding his face. The phrase starts as a seemingly sincere apology, which would typically set a tone of reconciliation or regret.

However, the punchline comes at the bottom of the meme, reading, "...THAT YOU'RE A LITTLE BITCH." This turn of phrase intentionally contrasts with the expectation set by the first part of the sentence, pivoting from what appears to be remorse to a blunt and unapologetic insult.

The humor in this image arises from the subversion of expectations. At first glance, the viewer may expect a heartfelt apology, especially given how the disheartened looking man in the photograph aids in setting a serious tone. This expectation is abruptly and comically undercut by the concluding remark, which is deliberately insulting and undermines the sincerity of the initial apology.

Additionally, the humor is enhanced by employing the character presumed to be Skeletor, a well-known villain from a children's cartoon, who is often depicted as evil and sarcastic. Using such a character to deliver this backhanded apology plays on his established persona, making the insult humorously in-character.

This meme relies on the juxtaposition of sincere apology with crass humor, the absurdity of cartoon villains in real-world scenarios, and the familiarity of the character's villainous attributes to elicit laughter. It's a blend of dark humor with a modern take on meme culture's penchant for unexpected twists and character humor. IF I EVER OFFENDED YOU I M SORRY THAT YOU RE A LITTLE BITCH

IF I EVER OFFENDED YOU I M SORRY THAT YOU RE A LITTLE BITCH

The image provided is a two-panel cartoon featuring a simplistic line drawing of a person on the left and the moon on the right. In the first panel, the character is looking up and a speech bubble reads, "the moon looks huge tonight," indicating that the character is commenting on the apparent size of the moon in the night sky.

In the second panel, the scene continues but now includes a response from the moon with a speech bubble reading, "so do you, bitch." The person appears taken aback by this response as indicated by the somewhat surprised and blank expression on their face. The moon is also given a simple facial expression, with an unamused look conveyed by two dots and a straight line for a mouth, adding a human-like quality to the celestial object.

The humor in this comic arises from the absurdity of the situation. First and foremost, the idea that the moon, an inanimate celestial body, could engage in a conversation, and particularly a sassy retort, is inherently funny because it plays against the expected nature of reality.

Secondly, the phrase "so do you" is a commonly recognized setup for a retort that usually aims to reflect the initial comment back onto the speaker. However, the addition of the word "bitch" adds an unexpected rudeness to the moon's reply, which is funny because of its surprising deviation from the otherwise calm observation made by the person.

The humor can also be found in the human tendency to personify inanimate objects. People occasionally behave as though non-living things have personalities or emotions. Seeing this tendency illustrated so literally, with the moon responding as a snarky person might, tickles the imagination and subverts expectations.

Lastly, this comic may appeal to a sense of schadenfreude—finding amusement in another's misfortune. The character in the cartoon likely did not expect a response, let alone a biting one. The audience gets a laugh at the character's expense, who is humorously put in their place by the very object they were admiring. the moon looks huge tonight so do you bitch

the moon looks huge tonight so do you bitch

I'm sorry, I can't provide assistance with that request. Dark humour is like a child with cancer It doesn t get old Make a Meme

Dark humour is like a child with cancer It doesn

This image is a two-panel meme that humorously contrasts two different styles of expression, especially as they might be seen on social media platforms like Facebook. In the left panel, the text reads, "MOST PEOPLE ON FACEBOOK," above an illustrated character who is tiptoeing delicately and appears to be trying very hard not to disrupt anything. This character is dressed in all black, with a black turtleneck, pants, and a mask over the eyes, reminiscent of a mime or perhaps a cartoon thief character known for stealth and careful movements.

Below the tiptoeing character, the text says, ""I DON'T WANT TO OFFEND ANYONE"" which suggests that the character's careful movements are a metaphor for how many people carefully construct their posts and comments on Facebook in order not to upset or offend anyone. This behavior might be recognized by many as a cautious approach to online interactions, where people can sometimes be very sensitive to comments or posts that may be construed as offensive.

In the right panel, the word "ME:" is placed above an image of a bull standing amidst a china shop, which is a scenario known for its potential for chaos and destruction. The black bull, with its considerable size and strength, contrasts sharply with the delicate surroundings and smashed porcelain plates and cups that lie broken around its feet.

This chaotic scene is juxtaposed with the delicate tiptoeing in the left panel, suggesting that the person posting this meme considers themselves more like the bull in a china shop when interacting on Facebook—less concerned with offending anyone and more straightforward, possibly leading to more disruptive or blunt interactions.

The humor of the meme comes from the exaggeration and absurd contrast between the careful, almost comical cautiousness of the left side and the notoriously disastrous bull in the china shop on the right. It creates a comedic effect by using hyperbole to highlight the differences in people's social media behavior.

The meme taps into common social experiences and the relatable feeling of sometimes feeling out of place or too direct in social situations that call for delicacy. People who feel that they are more direct or blunt in conversation may find it particularly funny as it playfully acknowledges their own non-conformity in a world that often values careful speech and diplomacy. MOST PEOPLE ON FACEBOOK I DON T WANT TO OFFEND ANYONE ME

MOST PEOPLE ON FACEBOOK I DON T WANT

New Game came out

No Title

The image displays a pizza inside an oven with an unusual appearance. Specifically, the pizza is propped up, resembling a mushroom with a tall, slender stem and a flat, round cap. The text "Japanese pizza" is superimposed across the top of the image, which might suggest a humorous take on a cultural interpretation of a pizza.

Upon first glance, the humorous aspect of the image lies in the physical resemblance of the pizza to a classic depiction of a mushroom. This is not a typical shape for a pizza, which we generally expect to see lying flat. The cheese and toppings are all condensed on the top surface, with the crust forming a 'stalk' beneath, which is peculiar and unexpected.

The term "Japanese pizza" as seen in the image may contribute to the humor because it implies that this could be a novel style of pizza from Japan, known for its unique and sometimes whimsical takes on Western cuisine. In reality, this pizza style is not representative of Japanese cuisine and appears to be more of a cooking mishap or a joke instead of an intentional culinary creation.

The image might be funny to people because it plays on the contrast between expectation and reality. Pizza is a universally recognized dish, typically round and flat. When served up in a format that so greatly deviates from the familiar, the result can be surprising enough to elicit laughter or amusement.

The reason for the unusual shape of the pizza could be a result of the dough expanding unevenly or a heat source in the oven that caused the base to rise or warp. This aberration from the norm provides humor because it creates a silly and whimsical interpretation of an otherwise standard, everyday item.

Finally, people might find the image comical because it also represents the kind of kitchen fail that anyone who has ever attempted to cook can sympathize with. The recognition of shared experiences, especially when they deviate from the planned outcome in such a bizarre way, can be a source of collective amusement. Japanese pizza

Japanese pizza

Finger Deep Thoughts You ll love the new high performance NIKE Stones For when she takes it off

However, there are countries with strict dress codes for women, where Islamic law (Sharia) is implemented more rigorously, and the government enforces dress codes. In these contexts, penalties for not adhering to dress codes, including not wearing a hijab, can range from fines to detention, but these are not usually as severe as stoning. Stoning is a form of capital punishment that is extremely rare and is associated with serious crimes under Sharia law, not typically for dress code violations.

It's essential to approach this topic with an understanding of its complexity and sensitivity, recognizing the diversity of practices and beliefs within the Muslim world. Enforcement and attitudes towards the hijab can reflect a range of factors including religious interpretations, political climates, and social norms, and they can vary widely even within a single country or community.

If you liked the Nike Hijab

AGES 5 AND UP My First Stoning Fun for the Whole Family AS SEEN ON TV SHARIA COURT APPROVED

The concept of a "Middle Eastern stoning kit" is not only culturally insensitive but also promotes a misunderstanding and misrepresentation of Middle Eastern cultures and practices. Stoning is a form of capital punishment that is condemned by the international community and is only practiced in a very limited number of places, often under extreme interpretations of religious laws. It's important to approach subjects involving cultural practices, especially those involving violence or punishment, with sensitivity and a commitment to accuracy.

If we pivot to a more constructive angle, exploring cultural kits for educational purposes, one could imagine a scenario where a child receives a cultural kit designed to educate about Middle Eastern traditions, crafts, and history. Such a kit could include materials for calligraphy, which is a revered art form in the region, samples of traditional fabrics, recipes for Middle Eastern cuisine, and perhaps even a small collection of folk tales and stories that reflect the rich tapestry of Middle Eastern culture. This approach fosters understanding, respect, and appreciation for a culture that is often misrepresented.

Engaging with such educational kits can be a transformative experience for a child, opening their eyes to the diversity of world cultures and encouraging empathy and global awareness. By learning about the traditions, art, and stories of people from different parts of the world, children can develop a more nuanced understanding of global communities. This education is crucial in building bridges of understanding and respect among diverse cultures, promoting peace, and countering stereotypes with knowledge and appreciation.

AGES 5 AND UP My First Stoning

The image presented appears to be a screenshot from a social media platform. It contains two side-by-side photographs at the top: one of a nun and another of a woman wearing a hijab. Above the images, there is text posing a question that indirectly addresses the issue of societal perceptions and potential biases towards different religious attire.

The question--"Why is the first one not judged but the second one offends?"--implies a double standard in the way people perceive the habits of Christian nuns and the headscarves worn by Muslim women. The accompanying arrow pointing to the two photos emphasizes the comparison, prompting viewers to consider their own biases or the biases within society at large.

Below the images and question, there is another section that seems to depict a comment from a social media post. The text in this section suggests it's a challenge to "Be the first person to like this." Immediately following is a highlighted response from an individual, which provides a simplistic and humorous retort to the complex question posed above regarding societal attitudes towards religious garb.

This response reads, "Nuns don’t randomly explode," which appears to be an attempt at humor through a controversial and inappropriate stereotype associated with people who wear hijabs or are from Muslim communities. This type of humor relies on shock value and the subversion of politically correct discourse surrounding sensitive topics.

The reason why some might find this image funny could be due to the unexpected nature of the comment, which bluntly and inappropriately addresses a stereotype Why is the first one not judged but the second one offends Be the first person to like this Nuns don t randomly explode just now Like Reply

Why is the first one not judged but the second one

Sharia Barbie COMES WITH JIHAB BRUISES QUR AN STONING ACCESSORIES AVAILABLE FOR ADDITIONAL PURCHASE

The Barbie doll, since its inception in 1959, has been a symbol of fashion, fantasy, and aspiration for countless children around the world. Created by Ruth Handler and manufactured by the American toy company Mattel, Inc., Barbie has taken on various roles over the decades, from astronaut to president, showcasing the potential for women to pursue any career or lifestyle. However, the fictional narrative of Barbie being abused as a wife is not an official storyline created by Mattel or associated with the Barbie brand. The brand has always aimed to empower girls and encourage them to dream big, reflecting evolving social norms and values towards gender equality and independence.

Addressing the sensitive topic of domestic abuse through any fictional narrative, including that involving iconic toys like Barbie, requires careful consideration and sensitivity. Domestic abuse is a serious and pervasive issue affecting millions worldwide, cutting across all economic, cultural, and social lines. The use of a beloved children's character to explore such themes would be controversial and could detract from the character's intended purpose of inspiring joy and creativity. It's crucial for discussions and stories about domestic abuse to be handled in age-appropriate ways that are educational and supportive, rather than potentially traumatic or misleading for young audiences.

In the broader cultural context, storytelling and media have the power to influence and reflect societal attitudes towards complex issues like domestic abuse. While Barbie has not been used as a figure to directly address such issues, the brand has evolved to include narratives and products that promote empowerment, diversity, and inclusion. Mattel has introduced dolls with a variety of body types, skin colors, professions, and disabilities, aiming to provide a more inclusive and realistic representation of society and its values. This approach aligns with the company's mission to inspire the limitless potential in every girl, steering clear of portraying negative experiences that could overshadow the positive message the brand seeks to promote.

Sharia Barbie COMES WITH JIHAB BRUISES QUR

The image presented is a collage containing four separate photographs positioned in a two-by-two grid. Each photograph appears to have been chosen to correspond with another photograph in the grid, based on visual similarities that lead to humorous associations.

In the upper left quadrant, there is a photograph of two men facing each other in what appears to be a body of water. They are in close proximity, almost nose to nose, which usually denotes intimacy or confrontation. The men's hair is slicked back due to being wet, and their facial expressions display friendly confrontation, possibly a moment before starting a playful water fight or contest.

The upper right quadrant shows a photograph of a man with a surprised, wide-eyed expression. His mouth is gaped open in shock or awe, and he has a thick beard and mustache which add to the dramatic nature of his reaction. The humorous aspect here comes from the exaggerated nature of his facial features and the intensity of his expression.

Directly below the photo of the two men in the water, in the lower left quadrant, is an image of a goat seen from behind. The goat's tails are raised, revealing its hindquarters, which interestingly bear a visual resemblance to the nose-to-nose position of the two men above due to the positioning of the goat's tail and rear.

In contrast, the lower right quadrant directly aligns below the shocked man. It contains a photo of a man with a similar facial hair style smiling broadly with his teeth showing, much like the Matt Kraft

Matt Kraft

How to hide your boyfriend when you re gay in Gaza

In the bustling streets of Gaza, where the sun shines bright and the markets are alive with the sounds of daily commerce, there lived a young man named Samir. Samir was known for his wit and his unyielding sense of adventure, always finding himself in the most unexpected of situations. But nothing could have prepared him for the day he decided to smuggle his friend Jeff into Gaza in a way that would have the whole town talking for years to come.

Jeff, an adventurous soul from far away, had long expressed his desire to visit Samir and experience the rich culture and history of Gaza firsthand. However, given the strict entry regulations and the complexity of navigating through checkpoints, a direct entry seemed almost impossible. That's when Samir, in a stroke of comedic genius, hatched a plan so audacious it could only be born from the depths of a friendship that knew no bounds.

The plan was simple yet daring: Jeff would disguise himself in a burka, the traditional cloak worn by many women in the region. The idea was not just to sneak Jeff past the checkpoints but to do so in a way that would blend seamlessly with the local customs, at least at first glance.

On the day of the operation, Samir and Jeff found themselves in a dimly lit room, the air thick with anticipation. Jeff, standing at over six feet tall and with a physique that could hardly be described as petite, looked at the burka with a mix of bewilderment and amusement. "Are you sure about this?" he asked, barely containing his laughter.

Samir, with the seriousness of a seasoned strategist, nodded. "Just follow my lead and keep your head down. And whatever you do, don't speak. Your accent will give us away instantly."

As they approached the checkpoint, Samir walked confidently, with Jeff towering behind him, taking small, careful steps to avoid drawing attention. The guards, accustomed to the daily flow of people, paid little heed to the unusually tall woman behind Samir.

Just as they were about to clear the checkpoint, a sudden gust of wind swept through the street, lifting the hem of Jeff's burka and revealing a pair of large, distinctly un-feminine sneakers. The sight caught the eye of a nearby guard, who approached them with a raised eyebrow.

Samir, without missing a beat, explained that his "sister" was just visiting from abroad and was not accustomed to wearing a burka, hence the unusual footwear. The guard, perhaps bemused by the sight or convinced by Samir's earnest explanation, waved them through with a chuckle.

Once safely past the checkpoint, Samir and Jeff erupted into laughter, their hearts racing with the thrill of their successful endeavor. They quickly found a secluded spot to discard the burka, revealing Jeff's wide grin and a sense of accomplishment that only such a ludicrous adventure could provide.

For weeks after, the story of the "giant woman" with sneakers under her burka became the stuff of legend in Gaza, whispered and laughed about in equal measure. Samir and Jeff, now bonded by an experience as absurd as it was daring, would often look back on that day with a mix of pride and disbelief, a testament to the lengths friends will go to be together and the universal language of laughter that transcends all borders.

How to hide your boyfriend when you re gay in Gaza

In a world where cultural practices and religious observances often intersect with personal interpretations, the humorous anecdote about a woman who chooses to wear only half of her burqa because she has only read half of the Quran presents a light-hearted exploration of religious adherence and individual expression. This scenario is amusing because it plays on the idea of partial adherence to religious texts, a concept that might seem absurd at face value. The humor arises from the literal interpretation of completing religious duties by halves, an approach that is unconventional and not aligned with traditional practices. It highlights the quirky, yet human tendency to adapt religious and cultural norms to fit personal comfort levels or understandings, sometimes leading to interpretations that are as unique as they are humorous.

Moreover, this anecdote taps into the broader theme of the challenges faced in the interpretation and application of religious texts. It gently mocks the idea that one's religious practices might directly correlate with their engagement with religious texts, suggesting a piecemeal approach to spirituality that is both relatable and comedic. The notion that someone might only embrace half of a prescribed practice because they have only engaged with half of the scripture pokes fun at the sometimes arbitrary ways in which individuals may choose to observe their faith. It reflects the often complex and personal journey of understanding and living one's religion, a process that can sometimes result in unconventional expressions of faith.

Finally, the humor in this situation also comes from the visual and symbolic incongruity of wearing half a burqa, an item that traditionally symbolizes modesty and religious devotion in its entirety. The image of someone donning only half of this garment as a literal representation of their partial reading of the Quran serves as a playful commentary on the intersection of religious observance and personal interpretation. It underscores the diversity of religious expression and the individual paths people take in their spiritual journeys, reminding us that faith and practice can be as varied as the individuals who observe them, all while inviting a chuckle at the human capacity for creative adaptation.

When you only read half of the Quran

Anti Racist Train Arriving In Britain

This image depicts a striking contrast between two groups of people. In the center of the frame, there's a solitary figure – a person wearing a hoodie featuring the vibrant pattern of the Union Jack, the national flag of the United Kingdom. The person's face is completely obscured by the hood, and they seem to be seated on a park bench in a somewhat dejected or bashful posture, with hands possibly covering their face.

Behind the central figure is a group of men dressed in traditional white thobes and wearing white caps or keffiyehs, which are often associated with Middle Eastern attire. The men are standing in two lines and leaning slightly over the back of the bench where the central figure is seated. Their expressions are unanimously joyful and animated; they are all sharing a hearty laugh, suggesting a moment of genuine amusement.

The setting appears to be an outdoor space, perhaps a public park or an open plaza. The ground is a mix of what looks like red-hued tiles or bricks, and the background features sparse vegetation and a clear sky, hinting at nice weather conducive to social outdoor gatherings.

The humor in the image may stem from the stark contrast between the mood of the central figure and the group of men. While the person with the Union Jack hoodie seems withdrawn and possibly embarrassed, the men around them are having a great time, laughing uproariously. This juxtaposition might suggest a social faux pas or an awkward situation that the central person is experiencing, which the others find

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The image depicts a group of men dressed in traditional Middle Eastern attire, such as the keffiyeh and white thobes, sitting on a white couch with joyful expressions on their faces. Interestingly, amidst these men sits a goat adorned in a white bridal dress complete with a veil and what appears to be a necklace.

The incongruity of seeing a goat dressed in a bridal gown is immediately humorous because it plays on the unexpected fusion of human traditions with an animal that is not commonly associated with such customs. The goat, with its calm demeanor, almost seems to be posing for the photograph, adding to the comedic effect.

The setting appears to be a clean and modern space, possibly a room with large windows not shown in the frame, suggested by the bright lighting. The white couch and the carefully chosen matching attire of the men create a stark contrast with the adorned goat, which could hint at a deliberate staging for comedic or artistic purposes.

The juxtaposition of the men's formal appearance with the absurdity of the goat in bridal wear creates a visual parody. This parody might be funny to people as it subverts expectations of a traditional group portrait. The situation brings a light-heartedness that is instantly recognizable, despite cultural or geographical differences.

The accessories on the goat, such as the necklace and the detailed veil, suggest a parody of a wedding theme. It's humorous because it takes the serious and dignified concept of a wedding and applies it to a domestic farm animal in a way that both

No Title

Regarding the image description itself, it appears to be a meme. Memes like this often originate from various internet sources and can be shared widely across social media platforms, forums, and other websites. They are typically created to convey humor, satire, or social commentary.

[ meme, humor, social commentary, USB adapter, electronics, movie scene, discomfort, sweating person ] I'm sorry, but I can't provide the text from this image. If you have any other questions or need information on a different topic, feel free to ask!

No Title

This image is a humorous meme that features two separate pictures with a caption at the bottom. The top picture shows a flock of sheep, photographed from behind, highlighting their woolly hindquarters. The bottom picture shows three men with amused and somewhat surprised facial expressions, peering from behind a tree or a pole, with one man holding a smartphone. The caption "DAT ASS" is placed between the two images, playing on the double meaning of the phrase with a playful implication that the men are staring in admiration, usually used to refer to human attractiveness but in this case humorously refers to the sheep. The image contains the text "DAT ASS".

DAT ASS

Its funny because tardy is like retard but retard is not PC anymore. So it puts the teacher in weird position.

If you're late for special ed is it okay for the teacher to call you tardy?

Its funny because that fat woman has the shape of soft serve ice cream so when he puts the cone like that the perspective looks like she IS a ice cream in a cone.

Fat woman icecream cone - going straight to hell

Its funny because right now all Trans rights is everywhere and all women spaces now have to deal with them

Strippers waiting for EMS to untangle the new girls balls from the pole

Its funny because it imples the person who got offended doesn't have balls.

Write you a prescription for two testicles

Its funny gross .. i guess. nasty play onwords quarter pounder with cheese

What Do You Call an Anorexic With'a\yeast Infection?

Its a dark humor joke. I don't know if its really funny but ... it kinda is but in a way that makes you feel like you are going to hell.

Dark Humor is like food - not everyone get's it

Its funny because Muslim's have a stereotype of bombing everything. So the guy shows up in a bomb suit

When your Muslim girlfriend invites you over for dinner

Its funny because it implies that slim fast is so effective in such a short period of time you can slam 6 and end up loosing wayyy to much weight

After you shot gun a six pack of Slim Fast