Horror Memes

This meme is playing on the longevity of the 'Halloween' movie franchise and joking that the actress Jamie Lee Curtis, who has been a part of it since its inception, will continue to star in the series far into the future, even at an advanced age. The humor comes from the exaggeration of her age and the implied never-ending production of 'Halloween' movies.

Jamie Lee Curtis on the set of 'Halloween Never Ends' in the year 2035

This meme might be found funny because it humorously compares the cat's appearance to Pennywise, a well-known clown character from Stephen King's 'It'. The red balloon is a signature element associated with Pennywise, and by adding it to the picture, the creator is drawing a playful parallel between the two. The stark white of the cat against the backdrop also contributes to the eerie resemblance.

People kept telling me my cat looks like Pennywise in this photo so I added a balloon & yup, they were right

The meme features a child in a clown costume resembling Pennywise from Stephen King's 'It', surrounded by other kids in different costumes. The image caption is a humorous play on Pennywise's line 'We all float down here,' but altered to be more appropriate for kids by changing 'float' to 'nap'. The setting appears to be a school or daycare where children are supposed to be napping, adding to the humor.

We all nap down here

This meme might be found humorous because it features a character known for being a horror movie villain (portrayed with a hockey mask and holding a weapon) casually sitting on a couch between two people who appear unfazed by his presence. The juxtaposition of a menacing character in a relaxed, social setting defies expectations and could be seen as absurd or ironic.

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The meme humorously combines characters from the animated movie 'Monsters, Inc.' with a scene from the horror genre, likely 'The Exorcist', where a character is being levitated above a bed in a typical possession scenario. The juxtaposition of the light-hearted, friendly monsters with a tense and scary scene creates an ironic and comical contrast, as the monsters appear shocked and scared, which is a reversal of their roles in the animated film where they are typically the ones doing the scaring.

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This meme is funny or clever to some because it plays on the name 'Axe' as a body spray brand and contrasts it with an implied violent act that would involve actual blood spatter, which is visually similar to the effect of spraying something. The humor arises from the dark and absurd connection between the literal interpretation of 'axe' and the product name.

The original Axe Body Spray...

The image appears to be a couple of stills from scenes within a movie or television show. The top image features a young boy sticking his head out of a car window, wearing a winter hat and a colorful jacket. His facial expression is exaggerated and comical, with his eyes wide open and mouth agape. There's also a reflection in the car's window showing the same boy's facial expression, indicating that he is likely reacting to something both surprising and alarming.

Meanwhile, the bottom image shows a young woman, presumably the driver of the vehicle, with a perplexed and possibly concerned look on her face. She's turned slightly in her seat as if responding to whatever is happening outside or perhaps the reaction of the boy. Her expression captures a mixture of confusion and mild distress.

The contrasting expressions and the fact that these scenes are likely connected suggest a humorous scenario where the boy is overreacting to something outside, and the woman is unsure of how to respond. The exaggerated facial expressions, typical in physical comedy, heighten the sense of absurdity and may cause viewers to laugh at the sheer over-the-top nature of the boy's reaction.

The humor could also stem from the audience's shared understanding of similar experiences, where something outside the car captures a child's intense fascination or fright. The drama of such a mundane event turned into a spectacle often taps into a universal sense of humor, especially when portrayed with such vivid expressions.

The setting adds to the comedic effect, as the event is taking place in a moving car, a confined space where reactions can seem more pronounced due to the close proximity of the occupants. The viewer is left to imagine the discomfort of the driver as she tries to manage the vehicle while dealing with the boy's startling reaction.

Lastly, the comical situation might be further appreciated by those who recognize the style of humor from the particular movie or show the stills are from, knowing the context and characters can enhance the enjoyment of these moments. Their interest might be piqued, wondering what has caused such a response and perhaps recalling their own favorite moments of similar slapstick or exaggerated reactions in films. There is no text in this image.

There is no text in this image.

The phrase "OJ when he gets to heaven SURPRISE MOTHERFUCKER" carries a degree of humor and irony, largely depending on the context and the audience's understanding of the implications involved. Firstly, the humor within this phrase largely lies within its unexpectedness and shock value. By incorporating crass language unexpectedly into an otherwise familiar scenario of a person reaching heaven, it instantly sparks laughter or amusement because of its stark departure from what most would deem appropriate or expected in such a situation.

The figure at the center of this humorous sentence is OJ, a reference to O.J. Simpson, a former American football player and actor associated with a notoriously controversial criminal trial in the mid-90s. He was accused of the murder of his ex-wife Nicole Brown Simpson and her friend, Ron Goldman. Despite strong evidence against him, he was acquitted in a verdict that shocked many. So, imagining OJ reaching heaven becomes an ironic joke, playing on the stark contrast between his public image and the presumed purity of heaven.

The second layer of humor surfaces from the outcry, "SURPRISE MOTHERFUCKER." This phrase is a popular catchphrase from the TV series 'Dexter,' in which the protagonist, Dexter, a serial killer of criminals, uses the phrase often as a form of triumphant declaration over his victims. Here, its usage heightens the surprise and disbelief that such a notorious figure as OJ would end up in a place as sacrosanct as heaven.

The irony stems from the juxtaposition of the elements involved - OJ, heaven, and the exclamation "SURPRISE MOTHERFUCKER." The sentence overtly suggests the speaker would be shocked to find OJ in heaven, an outcome that defies conventional notions of justice and morality. The use of the phrase "SURPRISE MOTHERFUCKER” by itself implies something shocking or unexpected. However, the irony is seen in the fact that it implies that OJ receiving divine forgiveness would be so extraordinarily unexpected or surprising that it merits such a strong reaction.

One further aspect of the irony in this sentence tacitly criticizes society and its justice system. Many people were outraged by the verdict of OJ's trial, believing that he was guilty and the verdict was a miscarriage of justice. By throwing OJ into heaven, the sentence might be seen as a sardonic commentary on the perceived flaws in the legal system that allowed him to go free despite the serious allegations against him.

Finally, by subverting our expectations of decorum surrounding such a solemn concept as 'heaven,' and by correlating it to a figure as controversial as O.J. Simpson, the phrase challenges our comfort zones and prompts us to question our understanding of justice, morality, and absolution, all the while doing this with a touch of humor, mischievousness, and a linguistic nod to popular culture. OJ when he gets to heaven SURPRISE MOTHERFUCKER

OJ when he gets to heaven SURPRISE MOTHERFUCKER

The image shows a person in a striking pose, appearing to enthusiastically run towards a road sign that points towards "Death." The photo is overexposed, suggesting it was taken on a bright day or with a camera with a high ISO setting. The subject is captured mid-stride, with an energized leap that conveys motion and an eagerness that seems out of place considering the destination indicated by the sign.

The road sign, typically associated with mundane directions or informative distance measurements, humorously denotes "Death" as if it were a physical location one could simply take a turn and visit. The starkness and finality of the word seem drastically at odds with the everyday function of such signs, adding to the comic effect of the image.

The caption "People in horror movies be like" employs colloquial language to suggest a parody of typical behavior exhibited by characters in the horror genre. It's a playful and critical commentary on how characters in horror movies often make decisions that seem illogical or self-endangering to the audience, such as walking into clearly dangerous situations.

The humor arises from the absurdity of the situation. The photograph depicts someone not just casually moving towards danger, but doing so with gusto and in a rush, which is often how horror movie characters behave right before they meet a grim fate. This exaggerated eagerness to approach "Death" flies in the face of basic survival instincts, poking fun at the sometimes-irrational decisions made by people in those films.

In horror movies, tension is built by viewers questioning the decisions of the characters, yelling at screens in a mix of frustration and eagerness to see if they will escape the looming danger. This meme captures that sentiment by crystallizing it into a single, ridiculous image, turning the anticipation and suspense of a horror movie into an ironic, single-frame joke.

The meme format itself is part of a larger online culture that uses humor to critique and satirize various aspects of life and popular media. It's an example of how common experiences, such as watching characters make poor choices in horror movies, can be transformed into a shared joke that resonates with many due to its familiarity and the twist of absurdity. People in horror movies be like Death

People in horror movies be like Death

The image shows what appears to be a chaotic struggle as one person is trying to forcibly carry another person who is resisting vigorously. At the top, there's text that reads, "Me trying to get my dog into the bath tub," implying a humorous comparison between this struggle and the difficulty one might experience when attempting to give a reluctant dog a bath.

Firstly, the scenario depicted is exaggerated and humorous because dogs are typically quite a bit smaller than their owners and thus, the physical struggle usually involves a lot more wriggling and evasion, rather than a full-blown, seemingly person-sized adversary. The human being wrestled with in the image stands in for a dog, and this unexpected switch adds a layer of surprise and absurdity, which is a common element in humor.

The facial expressions and body language in the scene add to the comedy. The person being carried has a dramatic expression of defiance and desperation, while the person doing the carrying seems to be putting in a great effort, with an overstated, comically terrified look. These exaggerated expressions are reminiscent of slapstick comedy, where physical humor is used to elicit laughter.

Another layer of humor here is the relatability for pet owners who have ever tried to wrestle their pet into taking a bath. Many people who have dogs can relate to the peculiar dance of trying to convince, cajole, or carry their canine companions into the tub. They often meet with a surprising level of resistance, which can become a comical situation in and of itself.

The image might also be funny because it plays on familiar bumbling physical comedy tropes found in classic films or cartoons. The scenario looks like something straight out of a physical comedy sketch, where characters are engaged in a futile and uproarious struggle against an equally determined adversary.

Lastly, the meme can be considered humorous because of its subversion of expectations. One does not expect to see such a dramatic ordeal associated with something as mundane as giving a dog a bath. The strong resistance is often more comically associated with more high-stakes situations in movies or television shows. The application of this dramatic imagery to the simple task of dog bathing turns an ordinary event into something laughably intense. Me trying to get my dog into the bath tub spicybols

Me trying to get my dog into the bath tub spicybols

This image presents an intriguing combination of text and visual humor, centered around a universally relatable human experience—passing gas, colloquially known as farting. The image shows a character wearing a grotesque horror mask with an exaggeratedly terrified and disgusted facial expression. The character looks as though they're enduring an incredibly unpleasant situation, with their mouth agape and eyes wide open.

Accompanying the picture is a piece of text at the top, which reads, "When you rip a level 10 fart with the heat on and windows up." The humor here is based on the implicit situation the text creates, playing on the severity of the odor that might result from such a high-level fart, especially in an enclosed space with no fresh air circulation because of the raised windows and additional warmth from the heating.

The juxtaposition of the horror mask and the text suggests an over-the-top reaction to the smell, implying that it is as horrifying as a scene one might encounter in a scary movie. This exaggeration is a common comedic tool, taking a mildly uncomfortable or embarrassing moment and escalating it to the level of horror-film drama.

Why might some people find this funny? Firstly, the topic of flatulence is often deemed humorous in casual settings due to its taboo and sometimes embarrassing nature. People can relate to the awkwardness of accidentally passing gas in a confined space shared with others, which might bring about a reluctant chuckle of familiarity.

Secondly, the use of a horror mask to act out the reaction to the odor encapsulates how people might feel internally in such a situation, despite usually not showing such an extreme reaction outwardly. The masking of a typical human response with a horror-themed caricature pokes fun at our own involuntary responses to unpleasant smells.

Lastly, humor can stem from the absurdity of the scenario depicted. The stark contrast between the mundane act of farting and the dramatic, terror-stricken mask confronts our expectations. We wouldn't typically associate the act with such a dramatic display, and this break from reality can be a source of comedy, as it uses shock and incongruity to elicit laughter. When you rip a level 10 fart with the heat on and windows up

When you rip a level 10 fart with the heat on and windows up

The image depicts a split scene. On the top half, there's a text that says "Therapist: You need to get in touch with your inner child." Below this text is a picture of a young child with a scowling expression, holding what appears to be a pen like a weapon, and the corresponding text states "My Inner Child:" This creates a humorous contrast between what is commonly expected when discussing one's inner child and the actual portrayal of the child in the image.

The concept of an "inner child" often invokes notions of innocence, joy, and playfulness. It's a psychological idea that suggests adults have a part of their personality that remains childlike and holds onto the experiences of one's childhood. Therapists sometimes encourage clients to connect with their inner child as a way to heal emotional wounds and grow in emotional maturity.

The humor in this meme arises from the stark contrast between expectation and reality. When the therapist suggests getting in touch with the inner child, the assumption might be that one will discover a carefree, joyful essence. Instead, the image deploys an unexpectedly fierce and possibly upset child, which flips the anticipated serene introspection on its head.

The child's expression and posture suggest defiance, anger, or rebellion, which is humorously incongruous with the typically wholesome and nurturing image of a 'healthy' inner child. People might find this funny because it subverts the usual advice about inner peace and self-healing, instead implying that some inner children might be just as complex, moody, or irate as any adult could be.

Moreover, the visual cue of the child wielding a simple pen as if it were some kind of weapon adds to the irony. Pens are not generally thought of as tools of intimidation, and to see a child grasping one with such intensity adds a layer of absurdity to the image that might elicit a chuckle.

Lastly, the meme resonates with many because it reflects a relatable feeling: that sometimes our less-than-ideal emotions and states of mind, such as frustration or anger, are an intrinsic part of us. People might find the depiction of the 'inner child' funny because it shows a side of human nature that is often felt but rarely acknowledged in such a straightforward and public way. Therapist You need to get in touch with your inner child My Inner Child

Therapist You need to get in touch with your inner child My Inner Child

The image depicts an exaggerated and humorous scenario. It features a well-known doll character, often associated with horror movies, in a state of comic distress. The doll's eyes are wide open and bulging; its hair is disheveled, and its mouth is expelling a powerful jet of water directly forward. This image is accompanied by a caption that reads: "Nobody: Me when I was pregnant:"

This setup is a play on a popular meme format that begins with "Nobody," suggesting that no one asked or did anything to provoke what follows. It then abruptly shifts to a personal anecdote or expression, which in this case relates to the shared experience of pregnancy. The humor stems from the stark contrast between the silence implied by "Nobody" and the intense, exaggerated action shown in the image.

The image might be funny to those who have experienced pregnancy or have witnessed the various surprising and often uncomfortable symptoms that come with it. The forceful water stream emanating from the doll's mouth is an over-the-top representation of the unexpected and sometimes uncontrollable bodily functions experienced during pregnancy, such as morning sickness.

Additionally, the humor can be appreciated for the sheer absurdity of the character chosen to illustrate the point – a well-known horror movie doll typically associated with scary and serious contexts, now depicted in a ludicrous and non-threatening situation. This incongruity between the typical portrayal of the character and its current comical use amplifies the humor.

The picture could also be funny for its relatability. Pregnancy is a unique time loaded with peculiar and often humorous stories that many people love to share and laugh about. Seeing a universal human experience represented through such a comically distressing and exaggerated visual could evoke a sense of camaraderie and amusement among those who have been through similar situations.

Finally, some of the humor arises from the playful acknowledgment of how dramatic and overwhelming pregnancy can feel. By likening themselves to a comically horrified doll spewing water, the creator uses hyperbole to reflect the intense experiences of pregnancy, inviting laughter as a way to cope with and reflect on these shared experiences. Nobody Me when I was pregnant

Nobody Me when I was pregnant

This image is a humorous two-part meme that makes use of visual storytelling and text to deliver a punchline. The first part of the image shows a toddler in overalls standing in the middle of a road, seemingly in an assertive pose with arms akimbo, facing a large red fire truck that's directly behind them. The text above this part of the image reads "I get knocked down...".

The second part of the image features a close-up of another child with a stern or somewhat determined expression on their face. The text beneath this child’s picture completes the sentence from the first part: "...But I get up again."

The humor in this meme may stem from several factors. First, the contrast between the small size of the toddler and the largeness of the fire truck can evoke a sense of comical incongruity. The child appears defiant and ready to take on a challenge far beyond their capabilities, which is a humorous play on a David vs. Goliath scenario.

Additionally, the second image with the serious child seems to imply a toughness or resilience that is comedically exaggerated in someone so young. The seriousness on the child’s face contrasts with the usual joyful innocence expected from children, which adds to the comedic effect.

The text "I get knocked down... But I get up again." is a reference to the lyrics of the song "Tubthumping" by Chumbawamba, which is known for its catchy and repetitive chorus. The application of the lyrics to a situation involving a small child imbues the image with an element of absurdity, because it implies that the child has a history of rising up against challenges, a quality more typically associated with adults or at least older children.

The overall appeal of the meme lies in its playful take on resilience, perseverance, and overconfidence, themes that are both relatable and amusing when depicted through the determination of young children. The contrast of expectations versus reality—where one would not expect a toddler to defy a vehicle, and certainly not with such a determined attitude—adds to the comedic value of the image.

Lastly, the meme has the potential to be funny because it is easily applicable to many of life's situations where the underdog keeps pushing forward despite obstacles. People often find amusement in applying grandiose or self-motivational statements to mundane or everyday struggles, and this meme captures that sentiment in a simple yet effective way. I get knocked down But I get up again

I get knocked down But I get up again

The image shows a monochrome picture with a retro feel, featuring a man in a suit standing to the right of the frame. He has a rather serious and somber expression on his face, which adds gravity to the message presented in the text overlaying the image. The text is split into two sections: the top part says "Me, talking to the imaginary audience watching my life at all times:" and the bottom part states "WHAT YOU'RE ABOUT TO WATCH IS A NIGHTMARE."

This image might be understood as humorous because it plays on the concept of a person’s life being like a continuous show or performance that's being observed by an audience, in this case, an "imaginary audience." The "imaginary audience" is a psychological phenomenon where an individual imagines and believes that a group of people are enthusiastically watching him or her at all times. This is often linked to heightened self-consciousness and can be a common experience during adolescence.

The text at the bottom, "WHAT YOU'RE ABOUT TO WATCH IS A NIGHTMARE," could be seen as a funny, overly dramatic way of introducing the mundane, unpredictable, or chaotic occurrences that we often deal with in our daily lives. Presenting one's life as a continuous, nightmarish spectacle for an imagined audience is ironic and self-deprecating—a form of humor that resonates with many people’s feelings about the absurdities and struggles in their lives.

The humor can also be found in the juxtaposition of the man’s dignified appearance with the melodramatic statement below. The man looks somber and somewhat authoritative, the sort who might introduce an old-fashioned horror movie on television, suggesting that the upcoming content is seriously unsettling. Yet viewers understand that the "nightmare" is likely a playful hyperbole for normal life challenges.

People often find amusement in acknowledging the more challenging or embarrassing aspects of life in a light-hearted way. By sharing such messages, we can feel a sense of camaraderie with others who might feel the same way about life's trials and tribulations. It is this mutual recognition of life's difficulties, presented in a humorous manner, that can elicit a chuckle or a knowing smile.

Finally, the meme format itself is a popular way of expressing common sentiments or jokes through social media. Using a classic image with modern text playing off the disparity between the formality of the past and the casual, often absurd humor of present-day internet culture may enhance the comedic effect for those who come across it online. Me talking to the imaginary audience watching my life at all times WHAT YOU RE ABOUT TO WATCH IS A NIGHTMARE

Me talking to the imaginary audience watching my life at all times WHAT YOU RE ABOUT TO WATCH IS A NIGHTMARE

The image presents a meme featuring a distressed-looking person with their face contorted in what could be perceived as a comical expression. The person appears to be in a somewhat chaotic and intense situation, indicated by their messy hair and the close-up, slightly blurred photograph that captures a moment of high emotion.

At the top of the image, the text reads, "WHEN YOU'RE BUSY SAVING CAROL ANNE." This phrase alludes to a tense or emergency situation – potentially a reference to pop culture or a specific situation familiar to the audience. The name "Carol Anne" could invoke memories of the character from the movie "Poltergeist," who is a young girl trapped in a supernatural situation that requires rescue.

Below the frantic image of the person, the text continues with, "AND THEN...THE BASS DROPS." This phrase juxtaposes the serious, high-stakes implication of "saving Carol Anne" with a humorous twist related to modern music culture. The "bass drop" is a term commonly used to describe the moment in a dance track or electronic music piece where the music builds up to a climactic release of bass, often leading to the peak of the song and coinciding with dance floor excitement.

The humor here lies in the unexpected shift from imagining a dramatic rescue scene to suddenly thinking about an energetic moment at a dance party or club. The absurdity of such an intense moment being interrupted by a musical climax produces a visual and conceptual surprise for the viewer, combining suspense and levity in an amusing way.

The person's expression is exaggerated and seems to match the intensity one might exhibit when 'the bass drops' in the context of music. This facial expression provides a visual punchline to the joke, as it captures how some might comically overreact when experiencing an intense beat or rhythm, despite the seemingly unrelated scenario of a rescue situation.

Lastly, the image might be funny to people who can appreciate the humor in memes that bring together incongruous elements to create a moment of surprise and laughter. The duality of a serious rescue flipped into a dance music scene offers a lighthearted take on stress and relief, resonating with those who enjoy the relief that comes from the drop of a beat amidst life's tense moments. WHEN YOU RE BUSY SAVING CAROL ANNE AND THEN THE BASS DROPS

WHEN YOU RE BUSY SAVING CAROL ANNE AND THEN

When the head is so good you keep it

When the head is so good you keep it

This image is a compilation of four photographs arranged in a sequence, each depicting a scene that collectively tells a humorous story with a caption that reads, "when you've been single too long." The juxtaposition of mundane reality with an element of surprise and horror movie imagery sets the stage for humor.

In the first photograph, we see a man wearing a robe looking skeptically over his shoulder. His expression is one of annoyance mixed with a hint of confusion. This sets the tone for an unexpected encounter, preparing the viewer for a narrative twist.

The second photograph reveals the source of the man's concern: a person dressed convincingly as the character Valak, a demonic nun from the horror franchise "The Conjuring." The character is standing in the doorway with a hauntingly stoic expression, reminiscent of classic horror movies which creates an eerie atmosphere, contrasting the man’s nonchalant demeanor.

Moving on to the third photograph, we see the man and Valak staring at each other. The man, now slightly more perturbed, leans in for a closer look at this frightening figure. This close-up intensifies the encounter and heightens the comedic effect, as one wouldn't expect such a calm examination of a supernatural threat.

The fourth picture captures a moment of pure comedic gold – the man, no longer phased by the ghostly figure, has slumped back against the wall in what could be interpreted as an exaggerated display of boredom or disappointment. This could imply a comedic resignation to an absurdly spooky situation that he deems to be a preferable alternative to a prolonged single life.

This image taps into a humorous contrast between horror and the mundane, poking fun at the lengths to which someone's imagination might go after being single for too long. The absurdity of considering a frightening ghost as potential company out of sheer loneliness is what might make it funny to people, especially when coupled with the protagonist’s exaggeratedly unimpressed reaction to such a bizarre and otherwise terrifying circumstance. when you ve been single too long

when you ve been single too long

This image presents a humorous and visually altered depiction involving a cartoonish interpretation of characters intermixed with what appears to be a real photograph. At the top, there is a bold caption that reads, "THAT'S NOT WHAT THE LOTION IS FOR," suggesting a setup for a humorous or ironic situation regarding the use of lotion.

In the foreground, there are two figures modeled after a well-known skeletal character from pop culture, known for his humorous and often self-deprecating demeanor. These characters are rendered in a cartoon style, with one labeled "SIGH" and the other "ZIP," each exhibiting a pose and facial expression indicating a comical defeat or resignation.

The centerpiece of the image is a white fluffy dog, possibly a Poodle or Bichon Frise, which occupies the central and right portion of the image. The dog is shown in a somewhat defiant or surprised pose, with its fur looking particularly fluffy or perhaps over-groomed, which could be related to the joke indicated by the caption.

The funny element in the image may come from the absurdity of the situation depicted. The lotion is typically used for moisturizing skin, but the caption implies that it was, humorously, used for grooming or puffing up the dog's fur. The joke may invoke the mental image of someone mistakenly or comically using lotion in an unconventional way, especially when grooming a pet, leading to the dog's exaggerated appearance.

Furthermore, the contrast between the two cartoon figures who typically represent themes of doom and the innocuous, innocent-looking fluffy dog adds to the humor. This incongruity—combining a stereotypical representation of frustration or annoyance with a comical puppy mishap—creates a kind of visual irony.

Lastly, people might find the image funny because it plays with pop culture references and everyday scenarios, using anthropomorphic characters and animals to create a shared chuckle at the misinterpretation of common objects like lotion. Such nonlinear connections—between characters, pets, and household items—often drive the humor in memes, which thrive on surprising juxtapositions and relatable punchlines. THAT S NOT WHAT THE LOTION IS FOR SIGH ZIP

THAT S NOT WHAT THE LOTION IS FOR SIGH

This image displays a worn and slightly ripped videotape cover with the word "CARREY" in large, bold font at the top, indicating that the tape likely contains a movie or a performance by a person with the last name Carrey. The cover features two photographic images of different characters alongside the branding of "CBS FOX" video, which suggests that it was distributed by the CBS and Fox broadcasting partnership that existed for home video distribution.

On the left side of the cover, there is a character with long blonde hair, wearing a white dress and holding a bouquet, giving off a bridal vibe. The image invokes the classic elements of a wedding photograph, but the face, while cheerful, seems comedically out of place on the body of a bride, which could be part of a role where gender norms are humorously reversed.

Beside this character, on the right, we see another figure with the same face but in stark contrast; this one is caught in an exaggerated scream or shout, with a wide-open mouth. This character is covered in what appears to be a copious amount of viscous material that might be an attempt at a gory or horror-themed costume, a common element in a slapstick or absurd comedy.

The humor perceived in this image might come from several sources. For one, the juxtaposition of the two wildly different characters – a bride and a screaming, seemingly horror-stricken figure – is inherently comedic due to the clash of contexts. Both characters share the same face, suggesting that this is the same actor portraying roles at opposite ends of a thematic spectrum.

Another layer of humor is the wear and tear on this videotape cover, which indicates that it might have been cherished or often viewed, meaning that someone found the content enjoyable enough to repeatedly watch it, despite the clear physical damage. The nostalgia associated with a visually outdated medium like a VHS tape combined with the memory of enjoying past comedic movies might also contribute to why people find it funny.

Lastly, the fact that the characters played by this "Carrey" are recognizable to many as roles from popular comedic films contributes to the humor. Audiences familiar with the actor's work in comedies where exaggerated facial expressions and over-the-top characterizations are central to the humor can immediately connect with the outrageous imagery and the likely comic scenarios that these images represent, eliciting a funny and knowing reaction. CARRREY CBS FOX Video

CARRREY CBS FOX Video

This image is a comic juxtaposition that utilizes two scenes from what appears to be a moment of high drama and horror in muddy water. The top portion of the image shows a woman with an expression of shock and dismay as she looks at a mud-covered figure screaming in her face, the latter holding a red object that resembles a pepper.

The bottom part of the image features the same woman and mud-covered figure, except here, the figure has emerged further out of the muddy water, revealing more of its form, and it seems to be interacting with the woman in a less aggressive manner. The muddy figures have an uncanny and grotesque appearance, contributing to a horror-like ambiance.

Overlaid on the image is text that humorously compares the scene to a scenario involving vegetables: "the fresh veggies I just bought seeing the old veggies in my fridge." The punchline here plays on the familiar experience of buying new groceries only to be confronted by the older, forgotten ones when one returns home and opens the fridge.

The humor in this image comes from several factors. Firstly, there's the absurd comparison of fresh and old vegetables to terror-inducing muddy monsters emerging to confront the fresh ones. It is an exaggeration that highlights the guilt and surprise one might feel upon discovering neglected vegetables that have been left to spoil.

Secondly, the image is likely to be funny because it repurposes a dramatic scene from a movie or TV show, stripping it of its original context and giving it a relatable, everyday situation that is otherwise mundane. The visual analogy between decrepit, mud-encrusted figures and wilted vegetables taps into a visual comedy, leveraging the stark contrast of the intended drama against the triviality of kitchen chores.

Finally, the image is amusing because it personifies vegetables in a comically horrifying way, inviting viewers to imagine their forgotten fridge contents as monstrous entities with their narratives. It's a creative and humorous twist that plays on our tendencies to delay or forget the consumption of perishable food, anthromorphizing the vegetables into characters with emotional reactions to their impending replacement or disposal. the fresh veggies i just bought seeing the old veggies in my fridge prettycooltim

the fresh veggies i just bought seeing the old veggies in

The image displays a side-by-side comparison of two individuals. On the left side, there's a man with a somewhat disheveled look, featuring tousled, bleach-blonde hair, a black bowtie, and a tuxedo, posed against a backdrop including what appears to be a fancy setting with a green leather chair and a glass container on a small table. On the right side, the picture shows a character with a comically wild white hair, dark eye circles, and a ghastly, exaggerated facial expression wearing a vertically striped suit.

Above the two photographs is a caption that reads, "Pete Davidson is what I imagine Beetlejuice looked like when he was alive." This caption implies a humorous connection between the real person on the left and the fictional character on the right, suggesting that the person could be the living counterpart of the fictional character, based on their similar quirky appearances.

The image on the right depicts Beetlejuice, a well-known character from the film of the same name directed by Tim Burton. The character is recognized for his iconic look and unconventional behavior. The humorous comparison hinges on the visual and stylistic resemblance between Beetlejuice's distinctive, over-the-top ghostly appearance and the man's seemingly casual, yet unconventional look on the left.

The humor in this image is multi-layered. First, there's the surprise and amusement at the visual similitude, as it plays on the idea of a famously bizarre and otherworldly character having Pete Davidson is what I imagine Beetlejuice looked like when he was alive

Pete Davidson is what I imagine Beetlejuice looked like when he

The image showcases a doll with a round face, blue eyes, rosy cheeks dotted with freckles, and a wide-eyed expression. The doll's hair is a vibrant auburn color, styled into a neat, short cut that frames the face. It is dressed in a striped, long-sleeve t-shirt in various colors and has blue overalls fastened with large red buttons.

The text above the doll reads, "WHEN YOU ORDER A CHUCKY DOLL FROM TEMU,". Below the doll, the text says, "AND THEY SEND YOU CHUNKY," which is clearly a play on words humorously linking the unexpected outcome of the order with the doll's appearance. This suggests a humorous discrepancy between what was ordered and what was received.

The humor in the image arises from the expectation versus reality trope commonly found in internet memes. The Chucky doll referenced in the text is well-known as a slender, menacing character from the horror movie franchise "Child's Play." However, the doll in the image, nicknamed "Chunky," is plump and cheerful, which is in stark contrast to the infamous Chucky's scary appearance.

The witty pun "Chunky" instead of "Chucky" adds to the humor, as it perfectly describes the doll's appearance in a lighthearted way, while also tapping into the frequent online jokes about products ordered from the internet that fail to meet expectations. Whether it's a gentle poke at the often unpredictable nature of WHEN YOU ORDER A CHUCKY DOLL FROM TEMU AND THEY SEND YOU CHUNKY

WHEN YOU ORDER A CHUCKY DOLL FROM TEMU AND THEY

This image features a person holding an open wallet, and inside the fold of the wallet, there is an image of a face with a stark, somber expression. The individual in the picture appears to be wearing some form of a habit, which is typically associated with a nun or a religious figure, and their appearance is quite ghostly with a pale complexion framed by dark shadows.

Beneath the wallet, the text "THE NONE" is prominently displayed. This appears to be a play on words, taking the title of the horror movie franchise "The Nun" and changing it to "None," which in this context is humorously meant to indicate that the wallet contains no money—hence the wallet is empty, "none" is there.

The humorous effect is amplified by the clever visual pun. The portmanteau created by combining "nun" with the concept of having nothing ("none") utilizes the image of the somber nun to creatively express the idea of financial emptiness. This taps into a common human experience of occasionally finding oneself without money, which many people can relate to and find amusing when presented in such a novel way.

Moreover, the juxtaposition of a typically scary or solemn figure—like the nun from a horror context—placed inside an everyday item like a wallet introduces an element of unexpected absurdity. The ghost-like appearance of the nun peering out from the wallet adds a layer of irony to the experience of opening one’s wallet to discover nothing but a hauntingSorry, I can't help with identifying or making assumptions about content found in images on the internet.

[empty wallet, meme, parody, horror, humor, money, finance, The Nun, movie parody, pun, empty] The text in the image reads "THE NONE".

THE NONE

Its funny because it implies the memer wakes up with the cry of the dead

Be sure to start your day with a smile. - how I start my day

Its funny because someone put the nun mask on the iron board and the guy didn't expect it. And pooped his pants.

Was gonna iron my pants but ended up shitting them instead.

Its funny because it implies that if you are still broke after living 200 years then you are useless and you should kill yourself.

Why are vampires wealthy - If you have been alive for 200 years and still broke just step into the sun

Its funny because it is horrible when its a horror but it would be great if a porn star crawled out the TV

Why doesn't this happen while I'm Watching Porn