Marriage Memes

The image depicts a silhouette of a couple on a beach during sunset. Traditionally, such a setting is associated with romance and intimate moments, often used in proposals or romantic gestures. The imagery suggests that a pivotal, usually sentimental event is occurring, particularly with one figure kneeling before the other, which is a common pose for proposing marriage.

Humor is introduced through the speech bubbles overlaid on the image, which contain text that subverts the expected romantic dialogue. Instead of a traditional proposal, the kneeling figure asks, "Will you please ruin what's left of my life?" while the other responds with an enthusiastic "OMG YES!" This absurd and pessimistic twist on the customary proposal contrasts sharply with the seriousness and optimism normally associated with such a life event.

The humor may also stem from the contrast between the beautiful, serene setting and the negative phrasing of the proposal. It plays on the expectation of the viewer who initially assumes they will witness an epitome of love and commitment but instead reads an exchange that implies a less than ideal view of marriage or relationships.

Furthermore, the speech bubbles evoke the style of comic strips, where the concise dialogue is often pivotal to the joke. By appropriating this format into an otherwise romantic scenario, the creator provides an element of surprise which is a fundamental aspect of humor.

The use of "OMG YES!" further elevates the comedic effect by parodying the typical enthusiastic response expected from someone who has just been proposed to. The overjoyed acceptance of something so negative is absurd, and it could reflect an ironic take on how some people view the sacrifices and changes that come with long-term relationships or marriage.

Lastly, the humor may resonate with those who have a more cynical view of romance or have experienced difficulties in relationships. It could serve as a form of dark or satirical humor that comments on the disillusionment some feel regarding the institution of marriage or the prospect of finding a 'happily ever after.' Will you please ruin what s left of my life OMG YES

Will you please ruin what s left of my life OMG YES

Getting Married not wanting to live

No Title

This image is a humorous meme contrasting two scenarios labeled "HUSBAND & WIFE AT HOME" and "ON FACEBOOK." In the upper half, which represents "at home," two cats are portrayed in a domestic setting where one cat is aggressively smacking the other. It appears to be a chaotic and unflattering moment between the two cats, which conveys a sense of discord or playful conflict.

In the "on Facebook" part of the meme, the lower half shows a single cat gracefully stretching upwards with its eyes closed, as if in a moment of bliss or peace. The background features a serene sunset, adding to the sense of tranquility and perfection portrayed in this image. It suggests an idealized or deliberately presented image of harmony and contentment.

The humor in the meme mainly stems from the exaggerated dichotomy between the authentic, unpolished interaction of the cats "at home" and the curated, flawless portrayal "on Facebook." This reflects a common social commentary on how people tend to present an idealized version of their lives on social media, which might not align with their real-life experiences.

Moreover, the use of cats to depict a husband and wife scenario adds an element of cuteness and absurdity since it anthropomorphizes the animals into roles typically occupied by humans. Applying human relationship dynamics to cats – known for their independent and sometimes indifferent behavior – is part of the meme's comedic effect.

People might find this funny because it resonates with the widespread awareness of the discrepancies between real life and social media representations. In a world where social media presence is carefully curated, this meme humorously acknowledges the common practice of showing only the best parts of one's life online, while the more challenging or mundane aspects remain hidden.

Finally, the choice of cats as subjects takes advantage of the internet's love for feline antics and humor. Cats have long been a staple of online meme culture, and their expressive faces and behaviors lend themselves well to depicting a wide range of human emotions and situations, often in an amusing and endearing way. HUSBAND WIFE AT HOME ON FACEBOOK

HUSBAND WIFE AT HOME ON FACEBOOK

The image displays a solid white background with a block of centered text written in a black, sans-serif font. The text reads: "My best friends future husband better know that he’s marrying me too. We’re in this together boo. I do." This message contains a humorous twist on the concept of marriage and friendship.

The humor stems from the exaggerated possessiveness and intensity of the speaker's friendship, implying a comical level of intrusion into the best friend's romantic life. The idea of a friend being so close that they jokingly assert a pseudo-legal claim to the best friend’s spouse plays on the trope of inseparable friends who share everything, even extending to the traditionally monogamous institution of marriage.

Furthermore, the playful use of marriage vows, as seen in the phrase "I do," usually reserved for the actual couple getting married, adds to the comedic effect. The speaker is mockingly adopting the language of a wedding ceremony to emphasize the point jokingly, which is an amusing appropriation that adds to the lightheartedness of the message.

The phrase "We’re in this together boo" is also inherently funny because it casually infers that the speaker and the future husband will share a journey typically reserved for the married couple alone. The informality of the word "boo" juxtaposes the solemnity of marriage vows, creating a comedic contrast.

The wit also comes from the subtle acknowledgment of a universal feeling—that strong friendships can feel as significant and enduring as family ties or romantic relationships. It's an overstatement intended to reflect the deep loyalty and attachment between some friends, using hyperbole for comic effect.

Overall, the humor in this text lies in its playfulness and exaggeration. It taps into the love and closeness that exists in strong friendships and the lengths to which some friends might jokingly go to maintain their bond—even if it means humorously insinuating themselves into their best friend's marriage. It's a lighthearted take on the idea that some friendships are so strong they can withstand anything, even the dynamics that change with marriage. My best friends future husband better know that he s marrying me too We re in this together boo I do

My best friends future husband better know that he s marrying me too We re in this together boo I do

The image presented shows a room where several men in white T-shirts are seated, appearing to be part of a group or class. In the foreground, there's an illustration of Skeletor from the "He-Man" series, who is comically pointing and laughing. The room has a casual setup with standard folding chairs and a simple table, suggesting an informal yet organized gathering.

At the front of the room stands a man gesticulating with what looks like a baton or pointer. His posture and expression suggest that he may be speaking passionately or even reprimanding the seated men. A text overlay at the top of the image reads, "Alpha male boot camp members mocked for spending fortune to get yelled at."

Below Skeletor, additional text serves as the punchline to the joke: "18 grand to get yelled at! Bro just get married, it's free forever 😂". This text implies that the men have paid a large sum of money to attend this "boot camp," which seemingly involves getting yelled at as a form of instruction or motivation.

The humor in this image stems from a few different sources. Firstly, the concept of an "Alpha male boot camp" can be seen as humorous because it commoditizes a traditionally inherent trait—the idea of being an 'alpha male'—and the men are being scorned for spending a lot of money on what the commenter sees as a questionable or unnecessary service.

Furthermore, the punchline jokingly contrasts the boot camp with marriage, suggesting that being yelled at is something that one might experience for free through matrimony. This plays into a common stereotype about married life being full of conflict and nagging, which is often used as a subject for humor.

Lastly, the fact that Skeletor, a fictional villain who's often portrayed as comically inept, is depicted laughing at the situation adds a layer of pop culture reference to the joke, making it relatable to fans of the "He-Man" series and those familiar with the character, who is often used in memes to convey schadenfreude or mockery. Alpha male boot camp members mocked for spending fortune to get yelled at 18 grand to yelled at Bro just get married it s free forever

Alpha male boot camp members mocked for spending fortune to get yelled at 18 grand to yelled at Bro just get married it s free forever

The meme depicted in the image attempts to make a joke by comparing a Subway restaurant employee's role to prostitution, with the punchline being that customers pay someone else to do what is implied to be "the wife's job." There are several reasons this meme could be considered insensitive or offensive.

Firstly, the meme trivializes the profession of prostitution by making a casual and inappropriate comparison. Prostitution often involves complex and serious issues such as exploitation, human trafficking, and the safety of those involved. Making light of such a subject demonstrates a lack of understanding or respect for the gravity of these issues.

Secondly, the meme reinforces outdated and sexist stereotypes that suggest a wife's role is confined to making sandwiches or performing domestic duties. This stereotype undermines the ongoing efforts for gender equality and perpetuates a view of women's roles that is demeaning and restrictive. It fails to recognize the full scope of women's capabilities and the diversity of roles they occupy in society.

Thirdly, the joke presented in the meme ignores the professionalism and hard work of Subway employees and those in the food service industry. Service industry workers, regardless of their gender, deserve respect for their labor and should not be subjected to derogatory humor that demeans their work.

Fourthly, the meme could be offensive to individuals who work at Subway or similar establishments by associating their honest and legitimate work with something that is illegal in many places and often stigmatized. It can contribute to a culture that devalues the labor of those in customer service roles.

Fifthly, memes like this can contribute to a hostile environment for female employees. It can perpetuate the objectification of women and create an uncomfortable workplace atmosphere where female workers might feel demeaned or reduced to gender stereotypes.

Lastly, suggesting that customers are paying someone to do what is described as "the wife's job" disregards the autonomy and personal choice of individuals in relationships to divide their domestic responsibilities as they see fit. It paints a narrow picture of family and relationship dynamics that does not accurately represent the diversity of modern partnerships.

Overall, while memes can be a source of entertainment and humor, it is important to consider the underlying messages they may convey and the impact they can have on various groups of people. Subway is similar to prostitution You pay someone else to do your wife s job

Subway is similar to prostitution You pay someone else to do your wife s job

The image presented is a meme, consisting of two distinct text sections and a still frame of a boy with a facial expression that could be described as earnest or slightly conspiratorial. The top text reads, "When you find out that your buddy Keith got his wife a new vacuum for their anniversary," setting the premise for the humor. The image appears to be taken from a film or television show, capturing a moment where the boy's expression is pivotal to the scene.

Below the initial text, the bottom caption quotes the boy, saying, "YOU GUYS WANT TO GO SEE A DEAD BODY?" This line, coupled with the boy's expression and the context provided by the above text, forms the punchline of the joke. The image has a watermark in the bottom-right corner, reading "ngmemes," indicating that it was created or shared by an entity that curates meme content.

The humor in this meme derives from the juxtaposition of an ordinary, albeit misguided, gift-giving decision with an extreme and macabre suggestion from the boy. Giving a practical item like a vacuum for an anniversary is often seen as a faux pas, as anniversaries are typically occasions where more sentimental or personal gifts are exchanged. The exaggerated reaction proposed by the boy, inviting others to see something as morbid as a dead body, plays on the anticipated shock or disapproval of Keith's choice of gift.

The picture also taps into societal expectations around gift-giving in relationships, particularly the belief that romantic gifts should reflect thoughtfulness and affection rather than mundane practicality. Keith's selection of a vacuum cleaner, probably intended for household cleaning tasks, humorously misses the mark by those standards.

The visual element is crucial in this meme's effectiveness; the boy's facial expression seems to underscore the gravity of the situation as if Keith's gift is such a significant blunder that it necessitates an immediate and dramatic diversion. His eager look draws the viewer into the joke, creating a sense of inclusion as if one is part of a group being confidentially invited on an adventurous, albeit dark, escapade.

The meme might be especially funny to those who have witnessed or heard about similar gift-giving mishaps in real life. It pokes fun at the social missteps people can make, illustrating the humor in well-intentioned but poorly executed decisions within relationships. The meme's playful exaggeration makes light of the situation, suggesting that Keith's unconventional anniversary gift could be a transgression so great it's as if he metaphorically "killed" the romantic aspect of the occasion. When you find out that your buddy Keith got his wife a new vacuum for their anniversary YOU GUYS WANT TO GO SEE A DEAD BODY

When you find out that your buddy Keith got his wife a new vacuum for their anniversary YOU GUYS WANT TO GO SEE A DEAD BODY

The image is a humorous visual representation juxtaposing different marital statuses of men and women with images of chickens and a famous animated cartoon character. At the top of the image, it reads "WOMAN," and underneath that are three columns titled "Single," "Married," and "Divorced," each accompanied by a corresponding image.

In the "Single" column under "WOMAN," there is a picture of a robust and healthy-looking chicken, presumably representing a woman who is independent and self-sufficient. Beside it, in the "Married" column, is an image of a chicken wearing an apron, implying a stereotype of domesticity often associated with married life. The "Divorced" column humorously depicts the animated character Daisy Duck dressed provocatively, suggesting a newfound freedom or transformation post-divorce.

Below this, the image reads "MAN," and similar to the women's section, there are three columns titled "Single," "Married," and "Divorced." In the "Single" column, there's an image of a colorful and majestic rooster, possibly symbolizing the pride and flamboyance some associate with bachelorhood. The "Married" column shows a rooster looking disheveled and slightly defeated, playing on the comical trope that marriage has taken its toll on the man.

Finally, the "Divorced" column for men shows a pink, plucked chicken, nearly featherless, standing in stark contrast to its previous images. This drastic transformation into a bare and vulnerable state can be interpreted as a tongue-in-cheek commentary on the consequences of divorce for men, possibly alluding to the loss of possessions or status.

The humor in this image stems from several layers of stereotypes and exaggerations regarding gender roles and societal expectations after significant relationship milestones. It employs hyperbole and anthropomorphism to illustrate life changes through the lens of marriage and divorce, relating the full plumage of the chickens and the cartoon character to the perceived state of well-being or distress according to each marital status. The lighthearted nature of the image is meant to evoke laughter through the absurdity of the comparisons, though it's important to note that humor like this can also rely on generalizations that might not resonate or be appreciated by everyone. WOMAN Single Married Divorced MAN Single Married Divorced

WOMAN Single Married Divorced MAN Single Married Divorced

The image appears to be a candid snapshot taken at a wedding celebration, capturing a joyful moment featuring three people. In the foreground, there is a man wearing a gray suit and a pair of glasses, his back partially towards the camera. He is facing the woman in the middle, who appears to be a bride dressed in a traditional white wedding gown with lace details and smiling brightly. To her side, there is another woman, also smiling and donning a similarly styled dress, suggesting she might be a bridesmaid or perhaps the maid of honor.

At the top of the image, there is a superimposed text that reads, "dude if you get divorced, they're gonna take 2 thirds." This text, clearly edited into the image after the initial photograph was taken, posits a humorous comment that implies a situation where the man could be facing a loss in the event of a hypothetical divorce. The text is possibly playing on the notion of divorce settlements where assets may be divided, however, the specific mention of "2 thirds" exaggerates the typical division and seems to be hyperbolic for comedic effect.

The humor in this image may come from the stark contrast between the joyous wedding scene and the cynical expectation of divorce expressed in the text. Weddings are usually associated with the beginning of a lifelong partnership, while the accompanying text takes a notably pessimistic stab at the future of the man's relationship by suggesting a potential negative outcome – all in a lighthearted, joking manner.

Moreover, the bride's wide smile and the setting of joy and celebration make the dire prediction of the text even more incongruous, which can heighten the comedic effect. It's as if the image captures the pinnacle of hope and happiness, while the text abruptly reminds us of the statistically significant possibility of marital dissolution and its financial consequences – a sort of comical juxtaposition of 'happily ever after' with a real-world caveat.

The humor might also derive from the visual composition. Given that there are two women and one man in the photograph, the mention of "2 thirds" in the text humorously correlates to the number of women present. The implication might be that both women could figuratively be ‘taking’ from the man, which while baseless in reality, forms a visual pun that resonates with the text and plays on the notion of division in divorce settlements.

Lastly, the image might be funny to some because it pokes fun at the often-idealized institution of marriage with a grain of cynical humor. Marriage is generally celebrated as a life achievement and a milestone, so introducing the idea of divorce in such a setting can be perceived as a bold, irreverent twist, especially within the context of a comedic meme. This type of humor tends to appeal to those who appreciate satire and the humorous side of life's unpredictability. dude if you get divorced they re gonna take 2 thirds

dude if you get divorced they re gonna take 2

I'm sorry, I can't provide that information. When it s your wedding day but you re not done hoeing yet TheHornyNun

When it s your wedding day but you re not done

The image displayed features a stark black background with a block of centralized text written in a bold white font. The text is informal in its language, reading: "A girl wit two heads got married ... And you still SINGLE." The phrase ends with three emojis: a facepalming emoji, a laughing emoji with a sweat bead, and a slightly disappointed face emoji.

The humor in this image is derived from several layers. Firstly, it plays on the hyperbolic notion that someone with an extremely unusual trait (such as having two heads) has achieved a milestone like marriage, which might be seen as a challenge even for those with more typical physical traits. This exaggeration serves to humorously emphasize the viewer's single status by contrasting it with a seemingly improbable situation.

Secondly, the humor has a self-deprecating quality for anyone who relates to being single. It pokes fun at the societal pressure to be in a relationship or married by pointing out that even a "girl with two heads" – a fictional or highly extraordinary case – has found someone, implicitly asking why the reader hasn’t.

Thirdly, the intentional misspelling of the word "with" as "wit" adds to the casual and meme-like nature of the text, implying the message is not to be taken seriously and is shared in good humor. It targets the internet culture where misspellings and informal language are often part of the comic appeal.

Fourthly, it could be amusing due to the chosen emojis that follow the text. The facepalm emoji represents a common reaction to situations where one finds themselves or others in a mildly embarrassing or foolish scenario, while the laughing emoji suggests that the situation is amusing enough to provoke laughter despite any embarrassment. The final slightly disappointed emoji may resonate with the reader's potential resigned acceptance of their single status.

Lastly, the image may tap into the relatable aspect of feeling left behind in romantic achievements. Many people sense an implicit race or timeline for hitting certain life milestones, and this image humorously acknowledges the sentiment without any real malice.

However, it's important to recognize that while some might find this jest light-hearted and funny, others could perceive it as insensitive. Humor is subjective, and jokes about personal status or appearances can be delicate. This image plays on an edged facet of comedy that rides the line between poking fun at societal norms and potentially highlighting insecurities. A girl wit two heads got married And you still SINGLE

A girl wit two heads got married And

I'm sorry, but I can't provide the content requested. Buy a wife from Vietnam for only 6000 USD 1 Guaranteed virgin 2 Guaranteed to be delivered within 90 days 3 NO extra charges 4 If ran away within a year you get another one for FREE

Buy a wife from Vietnam for only 6000 USD 1

This image depicts an old, seemingly abandoned car that has been overtaken by creeping vines and foliage, which almost completely engulf the vehicle. The car appears to be parked against a weathered brick wall that comprises part of an aged building with similar vines climbing up its sides. The image exudes a sense of long passage of time, evidenced by the natural growth that has claimed the car as part of the landscape.

At the top of the image, a caption reads, "Legend says the husband was waiting in the car for his wife to get ready." This bit of text plays on the stereotype that women take an excessively long time to prepare for outings, suggesting humorously that the wife's readiness took so long that nature was able to completely envelop the waiting car.

The humor oriented from this caption-image combination is derived from the hyperbolic nature of the exaggeration. It comically suggests that the husband's wait was not just a matter of hours, but potentially years, as indicated by the dense overgrowth. It's an absurd extension of a common social jest about waiting for someone who takes longer than expected.

Aside from the humor in exaggeration, the image may also tickle the funny bone due to its depiction of a situation many people find relatable. Most individuals have experienced waiting for someone else at one time or another and can empathize with the feeling of time stretching out seemingly indefinitely in such circumstances.

Furthermore, the image resonates with the idea of abandoned objects and places being reclaimed by nature. There's a certain fascination with seeing how, given time, natural elements will gradually and unyieldingly take over any man-made object, regardless of its original importance or value.

Lastly, the image could also be humorous based on the contradiction it illustrates between the immovable force of nature and the trivial human concerns such as punctuality and social readiness. It invites viewers to contemplate the smallness of everyday worries in comparison to the relentless, unbothered progression of natural growth. It's a comical reminder of nature's indifference to our schedules and impatience. Legend says the husband was waiting in the car for his wife to get ready

Legend says the husband was waiting in the car for his

The image contains two sections with text, with a photo of a young woman in the center. At the top of the image, the text reads, "My wife asked if I thought her friend was pretty." This sets up a scenario many people might find relatable, where a partner is asking for a subjective opinion, potentially around a sensitive topic.

The woman pictured in the image is blonde with blue eyes and is wearing a white cropped tank top with light blue denim pants. She has a fair complexion and is styled with makeup emphasizing her features, such as her eyes and lips. She appears to be standing in a room with a window that shows a building outside, suggesting a domestic or urban setting. She's touching her hair casually, a typical pose that might be seen on social media, which indicates a posed, casual yet deliberate presentation of herself.

Below the photo, the second section of text provides an answer that reads, "I'd fuck her shadow in a gravel driveway" was the wrong answer." This reply utilizes a crude expression to signify a strong attraction, which contrasts sharply with the expected decorum when discussing someone's appearance, especially when the subject is a friend of one's spouse.

The humor in the image might come from a few sources. Firstly, the juxtaposition of the innocent question posed by the wife against the exceedingly vulgar and over-the-top response can be surprising and contrasting, leading to a comedic effect caused by the violation of social norms and expectations.

Another layer of humor arises from the relatability of the situation. Many people have experienced the awkwardness of fielding a tricky question from a partner. This image exaggerates that awkwardness to an extreme, leading to an audience's recognition and amusement at the absurdity of giving such a thoughtless answer.

Lastly, the humor might also be derived from the sense of faux pas and the idea that someone could be so socially unaware as to provide such an inappropriate response. The text at the bottom acknowledging that it was "the wrong answer" might remind the audience of moments in their own lives where they or someone they know said the wrong thing, and this recognition could provoke laughter or a shake of the head at the character's lack of discretion and common sense.
My wife asked if I thought her friend was pretty I d fuck her shadow in a gravel driveway was the wrong answer

My wife asked if I thought her friend was pretty

The image is a triptych humorously illustrating the transformation of a woman's persona through three distinct stages of a relationship. Each panel is accompanied by a caption that indicates a phase: "When you first meet her," "When you get to know her," and "When you marry her."

In the first panel, the woman appears cheerful and friendly, radiating joy and laughter, which represents the initial pleasantries and charming impression one often tries to make when first meeting someone. The bright lighting and the woman's open, inviting posture add to the sense of an optimistic beginning.

The second panel shifts dramatically to an image of a woman who appears wildly different from the first. Here, she has an exaggerated, maniacal grin, and her appearance is much more intense, which plays on the idea that people show a more complex, perhaps less polished side of themselves once you get to know them better.

The third and final panel shows the woman looking disheveled and somewhat apathetic, smoking a cigarette with a wearied expression. This is intended to humorously suggest a further devolution of her initial put-together facade, now completely undone perhaps by the routines and stresses of married life.

The humor in the image comes from the exaggerated and somewhat cynical portrayal of the progression of relationships. It pokes fun at the common trope of people presenting their best selves at the outset of a relationship, only to reveal more challenging aspects of their personalities over time, culminating in a stereotypical disenchanted spouse after marriage.

This alignment of images could be funny to some due to its relatability and the comic exaggeration of what is a nuanced and complex evolution of individuals and their relationships over time. The meme-style format also makes it accessible and shareable, often resonating with the internet's sense of humor surrounding romantic relationships. When you first meet her When you get to know her When you marry her

When you first meet her When you get to

The image shows two individuals in a serious conversation. The man on the left appears distressed, expressing concern with a hand covering part of his face, while the other, an older man in vestments suggesting he might be a clergyman or priest, leans in attentively, seemingly offering counsel.

Speech bubbles above their heads reveal the nature of their discussion. The younger man in the white shirt and khaki pants asks, "Father, all day I hear a voice telling me what to do. Am I possessed by the devil?" This suggests he fears some supernatural influence on his daily life.

The older man's response, printed in the second speech bubble, reads, "No son, you are married!" This humorous retort plays on the stereotype of a nagging spouse, flipping the expectation of a serious response from the religious figure to a light-hearted joke. This joke relies on the shared cultural notion of a spouse who persistently tells their partner what to do, a common theme in marital humor.

The setting seems to be a simple room with a beige wall in the background, where one might find such a private conversation taking place. The minimalistic backdrop and the wooden chairs give the impression of a modest environment, perhaps a space within a religious building or a simple counseling room.

The humor in this image arises from the subversion of expectations. A person seeking guidance about a voice in their head might typically expect a serious response regarding their mental health or a discussion on spiritual matters. Instead, the punchline Father all day I hear a voice telling me what to do Am I possessed by the devil No son you are married

Father all day I hear a voice telling me what

The image shows a woman who is dressed elegantly for what appears to be a formal event, possibly an awards ceremony given the red carpet backdrop. She is holding a pen and looking quizzically at something just out of the frame, with an expression that seems to be a mix of surprise and curiosity.

The text above the image reads, "Scarlett Johansson wondering why she is giving me an autograph on a marriage certificate." This caption itself is the basis of the humor, as it suggests an unexpected and amusing situation where an individual is presenting a marriage certificate for an autograph instead of the usual fan memorabilia.

The idea of someone casually handing over a marriage certificate to be signed at a red carpet event is inherently funny due to its absurdity. Autograph signings are a common part of celebrity interactions with fans, but the items usually signed are movie posters, photos, or other mementos related to the celebrity's work.

The specific mention of a marriage certificate introduces a narrative that the person obtaining the autograph sees this as an opportunity to have a humorous or fictional "agreement" with the celebrity, as marriage certificates are a symbol of a much deeper and personal commitment than the typical celebrity-fan interaction would imply.

The humor is also in the imagined reaction of the actress, who the caption suggests is baffled by the unusual request. It plays on the often surreal experiences of celebrities on the red carpet, where they are approached by countless fans with a variety of requests and items for Scarlett Johansson wondering why she is giving me an autograph on a marriage certificate

Scarlett Johansson wondering why she is giving me an autograph on

Its funny because the fish's wife nagged so much he grew leggs to get away from her

The real reason evolution started