This image is a humorous display showing two car seats occupied by headrests turned to resemble the appearance of stylized faces wearing masks, which evoke a vague semblance to humans. The top image displays the interior of a vehicle with two front seats; the headrests have been rotated forward, and face masks have been placed onto them to give the impression of facial features. This is further emphasized by the positioning of the passenger seat's "hand" on the "face," created by tilting the headrest slightly and placing a hand on it, adding to the human-like posture.
The bottom image shows the car's front, where the same masked headrests are seen through the windshield. This placement suggests that the "faces" are peering out from inside the car, seemingly aware of their surroundings, enhancing the quasi-human effect. The caption above the images playfully suggests a sense of mischief, implying that while the creator is not explicitly advising the viewer to engage in similar antics, they are also not dissuading them, thus encouraging a spirit of playful disobedience.
The humor in this image arises from the anthropomorphism, which is the attribution of human characteristics to non-human entities. It tickles our sense of imagination as we perceive inanimate objects, in this case, car headrests and face masks, possessing human-like traits. Seeing a face where there typically isn't one is an example of pareidolia, a psychological phenomenon where the mind responds to a stimulus by perceiving familiar patterns where none exists.
The image also pokes fun at the widespread use of face masks, a practice that became ubiquitous globally due to health concerns. It satirizes the situation by equipping the inanimate car seats with masks, poking fun at how masks have become part of the "identity" of everyday appearances and objects, which in this joke, includes car seats. This unexpected use of masks in a non-standard way can prompt amusement or a chuckle.
Moreover, the image might be funny to people because it plays on the popular trend of creating optical illusions or visual jokes involving vehicles, often to entertain passersby or to capture attention on social media. This has a bit of a "tongue-in-cheek" quality to it, where hand-waving the advice with the double negative "I'm not saying you should, but I'm also not saying you shouldn't" adds a conspiratorial angle to the humor.
Finally, the drollery is amplified by the dichotomy between the positions of the two "faces." While one appears to be covering its "eyes" in a coy or embarrassed manner, the other is directly facing outwards, as though keeping watch. This introduces a dynamic element, as if there is an interaction or a play between the two characters portrayed by the headrests. It's a simple yet clever setup that engenders a lighthearted response by transforming an everyday scene – the inside of a car – into a platform for humor and creativity. I m not saying you should but I m also not saying you shouldn t