Imagine you were a vampire nowhere near the Middle East and don t know who Jesus is but the day after he dies you gotta figure out why lower case t s started hurting
The image features a tweet with a humorous statement related to vampires, Jesus, and typography superimposed over a picture of a woman with a distressed expression.
In the tweet, Andrew Nadeau ponders an amusing scenario: "Imagine you were a vampire nowhere near the Middle East and don't know who Jesus is but the day after he dies you gotta figure out why lower case t's started hurting." This plays on the lore that vampires are repelled by or harmed by Christian crosses.
This is funny because it's an anachronistic joke, blending vampire mythos with a specific historical event: the crucifixion of Jesus Christ. It imagines vampires being unknowingly affected by a global religious shift that they are entirely unaware of.
The humor is also found in the realization that the typographic representation of the cross, the lowercase "t," would have a physical impact on vampires. This is a play on the traditional vampire mythology, which typically involves crosses as physical objects rather than abstract representations.
The image of the anguished woman adds to the comedic effect by providing a visual representation of the kind of confusion and pain a vampire might feel in this ludicrous situation. Her expression indicates a great deal of distress, which aligns with the idea of suddenly experiencing pain from a once-harmless symbol.
Finally, the joke engages the audience's creativity and knowledge of history and supernatural fiction. It is funny because it requires the reader to make connections between disparate elements—vampires, the crucifixion of Jesus, and typography—in a way that is unexpected and absurd. Imagine you were a vampire nowhere near the Middle East and don t know who Jesus is but the day after he dies you gotta figure out why lower case t s started hurting
