TOP 50 POLITICAL MEMES

This is a manipulated image that depicts an adult with a tattooed arm lying in a reclined position, wearing a white outfit and a large, oversized baby mask that covers the entire head. There is a woman sitting next to this character, holding a bottle labeled "PROPAGANDA," which she is seemingly offering to the masked figure as if to feed a baby. The text above the image says "SNACK TIME AT THE WHITE HOUSE." The image is meant to be satirical or comedic, representing political commentary through visual parody. The use of manipulated imagery to depict an adult as a baby is a common trope in political satire to suggest immaturity or dependency.

SNACK TIME AT THE WHITE HOUSE PROPAGANDA

its funny because wokies get mad if you assume a gender binary

He was a boy she was a girl

Its funny because AOC is supposed to be very stupid. She has become basically the modern blonde joke.

So Daylight savings is not a bank?

Its funny because it implies AOC doesn't know he was talking about length. She also might be thinking some have 15 feet.

AOC is stupid alligator meme

The image presents a humorously edited photograph that seems to be set in a formal office, which is reminiscent of the Oval Office, traditionally used by the President of the United States. The individual sitting at the desk is wearing a business suit and a colorful clown wig while also sporting a matching mask over their mouth. They appear to be intensely focused on coloring a picture with crayons, which are scattered across the desk.

On the desk, there are childlike objects such as a bowl of colorful cereal, a carton of Crayola crayons, and a coloring book. These items are uncharacteristic and amusing to find in what would typically be a setting for serious governmental work and decision-making. The contrast between the formal setting and the juvenile activities creates a comedic effect.

Adding to the comedy is the stack of what appears to be official documents labeled "Trump's Fault" in front of the individual, implying a humorous blame-shifting for problems onto a predecessor. This stack of papers is a poke at the common political practice where current administrations sometimes blame previous ones for ongoing issues.

The image also contains an animated sponge-like character in business attire, resembling the famous children's cartoon character SpongeBob SquarePants, but modified to suit the context with a tie and glasses, sitting in its own chair. This character's inclusion further emphasizes the playful and nonsensical alteration of the scene.

On the wall, there is a framed image of a serious-faced bust, in stark contrast to the silliness of Mean while back at the Coke House Thanks Fauci TRUMP RULES DOODLE CRAYOLA Fruit FLAVORED Trumps Fruit

Mean while back at the Coke House Thanks

People might find this meme funny or clever because it plays on the lyrics of the popular song 'Karma Chameleon' by Culture Club. The repetition of the word 'Kama' instead of 'Karma' and the final reveal of 'Kama Chameleon' mimics the song's chorus and coincides with the image of a chameleon, adding a visual pun to the auditory one.

Kama Kama Kama Kama Kama Chameleon!

No Description

No Title

This is a digitally manipulated and composite image containing multiple elements that appear to reference various contentious and politically charged topics. The image features a person holding a sandwich, a person with a police hat, a person wearing a wrestling outfit adorned with the Confederate flag, standing next to two rifles, all in front of a lion to which is attached a tag that reads "Planned Parenthood," and a toy generally associated with adult entertainment. Below, there's an image of a smiling man holding a rifle. The text at the top of the image says "Let's offend everybody all at once!". This image seems to be designed to provoke strong reactions by including sensitive and controversial themes.

Lets offend everybody all at once Your Welcome Your Welcome Youre Welcome

Its funny and sad that scientists SHOULD be unbiased but after covid we all realized how bought they can be.

97% of scientists agree with whoever is funding them

The image presented is a meme that features a young man in a crowded setting that appears to be a party or a concert. The individual in the forefront has a distinctively surprised and alarmed facial expression. His eyes are wide open, and his mouth is agape, conveying a sense of sudden shock or awe. The surroundings are somewhat blurred but seem filled with people enjoying themselves, dancing, or engaging in conversation.

Superimposed on the image is text in two sections, with the first part reading, "WHAT IF CORN-POP WAS REALLY A GOOD DUDE" in bold capital letters. Below it is a second part of the text that continues the sentence, saying, "WHO NOTICED SOME RICH PERVERT OGLING LITTLE KIDS AT A PUBLIC POOL?" The text is part of the meme, applying a hypothetical narrative to the young man's surprised expression.

The humor in this image is derived from a few elements. Firstly, the term "Corn-Pop" is likely a nonsensical or humorous moniker which in itself might seem amusing. Secondly, the young man's expression is exaggerated and could be perceived as fitting the outlandish text narrative, which is an unexpected twist on what one might initially think is happening in the picture.

The meme's second line that describes the hypothetical "Corn-Pop" as someone who notices a "rich pervert ogling little kids at a public pool" adds absurdity to the image. It paints an ironic and humorous WHAT IF CORN POP WAS REALLY A GOOD DUDE WHO NOTICED SOME RICH PERVERT OGLING LITTLE KIDS AT A PUBLIC POOL

WHAT IF CORN POP WAS REALLY A GOOD DUDE WHO

The image displays the exterior of a brick building, with a focus on three visible windows. Each window features a distinct curtain that suggests a different theme or atmosphere within the individual rooms behind them. The top window has curtains that showcase a serene natural landscape, giving an impression of tranquility and peace. The middle window is adorned with fiery red curtains that evoke an intense and passionate mood. Finally, the bottom window's curtains present a stark black and white design with a diagonal stripe, likening it to the pattern of a finish line flag in auto racing.

The caption above the image reads, "This looks like a very tense living situation." This caption adds a humorous layer to the photo by implying that the different curtains represent the differing and possibly conflicting personalities or preferences of the residents. The word "tense" serves as a pun, playing on the dichotomy of the aesthetics visible through each window.

The top window's pastoral scene might remind one of a tranquil, nature-loving individual who seeks to bring an outdoor aesthetic into their urban dwelling. Conversely, the middle window, with its fiery aesthetic, suggests a resident with a bolder and perhaps more dramatic flair for home decor. The intensity of the red could be interpreted as a fiery disposition or a strong penchant for vibrant colors, which stands in stark juxtaposition to the serene landscape above it.

The bottom window, with its racing flag motif, introduces a sports or competition theme, which could signal a penchant for speed, performance, or an enthusiasm for motorsports. The stark contrast between this and the other windows amplifies the comedic effect by further diversifying the supposed personalities within this single building's facade.

The humor in this image primarily arises from the anthropomorphism of the windows – attributing human-like traits or emotions based on the style of curtains chosen for each window. The diverse themes clash with each other, presenting a visual juxtaposition that brings to mind a sitcom-like neighborly dynamic, where different characters with distinctly humorous traits or habits live in close proximity.

To some viewers, the picture might also be amusing because it could be seen as a visual metaphor for the complexities of human relationships, especially within shared living spaces like apartment complexes. The idea that such starkly different individuals are living in such close quarters strikes a chord with anyone who has experienced the joys and challenges of communal living, contributing to the humor evoked by the image. This looks like a very tense living situation

This looks like a very tense living situation

The image depicts a humorous scene with text overlay that creates a joke out of a contrasting interest during a political discussion. At the top of the image it reads, "Y'ALL BE TALKING POLITICS AND I'M JUST HERE LIKE," which sets up the context for the joke: a person feeling out of place or disinterested in a political discussion.

Centered in the image is a comically-altered figure wearing a hot dog costume. The playful absurdity of the costume suggests a lighthearted and carefree attitude, contrasting with the serious nature of most political dialogues. The figure is edited with a large, grinning, cartoonish skull mask, which adds to the visual humor by providing a juxtaposition between the silly costume and the normally sinister connotations of a skull mask.

Below the figure, the punchline is delivered with the statement, "ASK ME ABOUT MY WEINER." This text plays on the slang term "weiner" for both a hot dog and as a juvenile euphemism for male genitalia, inducing a form of bathroom humor. It also humorously hijacks a common political phrasing tactic where politicians encourage constituents to ask them about their policies or stances.

The image is in sepia tones, which gives it a vintage or timeless feel, leading to a sense of the enduring nature of political discussions and the ever-present opportunity for humor or satire in such conversations. The background shows a group of people in an outdoor setting, possibly indicating an event such as a rally or community gathering where political discourse might happen.

The humor in this image largely stems from the juxtaposition of a serious conversation topic (politics) with an unserious, attention-grabbing interruption (the hot dog costume and irreverent text). This stark contrast can resonate with individuals who find themselves disinterested in politics or overwhelmed by the constant political talk that can dominate social gatherings and media.

Finally, the image could be deemed funny due to its relatability; many people have experienced being the odd one out in conversations that they find dull or uninteresting. The brazen approach of diverting the focus to something as trivial as a "weiner" while everyone else is engaged in weighty political talk may provide a form of comic relief or represent an iconoclastic attitude that some viewers might identify with or find amusing. Y ALL BE TALKING POLITICS AND I M JUST HERE LIKE ASK ME ABOUT MY WEINER

Y ALL BE TALKING POLITICS AND I M JUST HERE LIKE ASK ME ABOUT MY WEINER

Not funny now

No Title

The image features a photograph of a man in a blue suit with a caption above that reads, "Joe Biden's mind is like a web browser. There are 19 tabs open, 17 are frozen, and he has no idea where the music is coming from." In the bottom right corner, there's a watermark that reads "@Patriotic.Deplorables". The man is squinting slightly and seems to be engaged in a conversation or reacting to something happening off-camera. The background is blurred, focusing attention on him. This image appears to be created for humorous and political commentary purposes. The text in the image reads:

"Joe Biden’s mind is like a web browser. There are 19 tabs open, 17 are frozen, and he has no idea where the music is coming from.

@Patriotic.Deplorables"

Joe Biden s mind is like a web browser

The image displays a humorously simplistic depiction of the political spectrum using a visual metaphor of a hill or a mountain. The left side of the base of the mountain is labeled "LEFT," colored in green, and represents the left-wing political ideology. Slightly uphill from the left, there's a section marked "RIGHT," implying the center-right or moderate political position and it's colored in blue.

The humorous part comes into play as the mountain peak is labeled "FAR RIGHT," denoting the extreme right-wing part of the political spectrum. Interpreting the political factions as physical locations on a terrain suggests that as one’s political views become more "right-wing," it's like climbing a hill, which can be a playful jab at the effort, or 'uphill battle', perceived in holding or advancing such positions.

The idea may be funny to some due to the exaggerated nature of the 'climb' the farther right one goes, as if to suggest it's a smaller and more isolated position in this simple political landscape. The far right is at the peak, which could humorously imply that those with such views are fewer and live in an 'echo chamber' at the top of their ideological mountain, detached from the larger and more diverse base.

Furthermore, there's a subtle implication that left-wing ideologies are on the ground level, potentially insinuating that these are more 'grounded' or widespread. However, this can be a matter of perspective and individual interpretation. The joke might be appreciated differently depending on one's political affiliations or sense of humor about politics.

The use of physical elevation to depict ideological extremity might also serve as a tongue-in-cheek comment on how those with extreme views, in this case on the right, see themselves as 'above' others, or how others perceive them to be 'out of touch' with the 'down-to-earth' mainstream. It's a visual pun that plays on the physical and metaphorical meanings of "right" and "far right."

Lastly, the image simplifies a complex and nuanced political landscape into a single, easily understandable graphic. The humor can also stem from this reductionism, poking fun at the tendency to oversimplify political ideologies into a one-dimensional spectrum when, in reality, political beliefs are multi-faceted and cannot be wholly captured by such models. LEFT RIGHT FAR RIGHT

LEFT RIGHT FAR RIGHT

The image depicts a significant government building, which looks to be a state capitol or similarly authoritative structure. It is illuminated at night with a vibrant rainbow of colors typically associated with LGBTQ+ pride. At the pinnacle of the dome, instead of a traditional flag, there is a banner with the phrase "Black Lives Matter" in a bold font.

In the foreground, there is a crudely drawn, green figure that appears to be expressing surprise or alarm with wide eyes and an open mouth. This figure has a caption bubble that contains the following exclamation: "OMG the Christians are gonna take over the government and impose their religion on everyone."

The juxtaposition between the concerned figure and the proudly lit building hints at a potential misunderstanding or comical reversal. While the rainbow colors and the "Black Lives Matter" banner represent themes of inclusivity, diversity, and tolerance, the green figure’s comment seems misplaced and indicative of an unfounded concern.

The humor in the image may stem from the ironic contrast between the figure's alarm about religious dominance and the displayed symbols of a movement that champions equal rights and often argues for the separation of church and state. The panicked reaction about Christians taking over is humorously at odds with the celebration of gay pride and racial equality exhibited by the building.

Additional amusement could be found in the exaggerated and dramatic nature of the figure's expression, which is presented in a style that deviates from the seriousness and grandeur of the government building. The over-the-top reaction provides a comedic counterpoint to the dignity of the lit-up capitol, playing into the trope of hysteria over social progressive movements.

Lastly, the humor may resonate with audiences who find the figure's alarm to be an amusingly inaccurate reflection of contemporary social politics. In contexts where issues around religious authority in government are debated, the image's message might be interpreted as a satirical comment on the fears some individuals have regarding these sociopolitical dynamics. BLACK LIVES MATTER OMG THE CHRISTIANS ARE GONNA TAKE OVER THE GOVERNMENT AND IMPOSE THEIR RELIGION ON EVERYONE

BLACK LIVES MATTER OMG THE CHRISTIANS ARE GONNA TAKE OVER THE GOVERNMENT AND IMPOSE THEIR RELIGION ON EVERYONE

This image is a meme that combines a historical quote with a modern-day scenario to create a humorous contrast. The top portion of the meme features a quote attributed to Thomas Jefferson: "We must not let our rulers load us with perpetual debt." This sets up an expectation that the meme will address issues of fiscal responsibility and governance.

Below the quote, the meme reads "Our Rulers:" which suggests that it will show an image of current leaders or a situation that represents their actions about the quote above. The expectation is that the image will portray a responsible approach to national debt, in line with Jefferson's advice.

However, contradicting this expectation, the image features a man who appears to be living in excess, indulging in what looks like an alcoholic beverage. He is depicted in a state of disheveled elegance, wearing a formal suit with a flower on the lapel, with an expression of carefree indulgence on his face. The juxtaposition of Jefferson's warning against an image symbolizing indulgence and disregard for consequences forms the basis of the meme's humor.

Adding a further layer to the joke, the image of the man is accompanied by a caption that reads "US NATIONAL DEBT" with a staggering figure beside it, suggesting that the man's carefree demeanor is in direct opposition to the serious financial situation described by the numbers. The amount of debt is so astronomically high that it underscores the irony of Jefferson's prudent advice when contrasted with the current state of affairs.

The humor in the meme arises from the absurdity and irony of the situation. The contrast between the wise, cautionary words of a founding father and the seemingly nonchalant attitude of the man in the image towards a massive national debt makes a statement about the perceived frivolity with which modern governance handles serious financial issues. The image suggests that our "rulers" are acting in direct contradiction to Jefferson's guidance.

Moreover, the meme may also find humor in the recognition of the global issue of growing national debts, with many people finding a relatable note in the juxtaposition between historical ideals and contemporary realities. For some, this meme might resonate with their feelings about government spending, encapsulating the situation in a single, humorous image that succinctly captures the disparity between ideal fiscal policy and actual economic practice. Thomas Jefferson We must not let our rulers load us with perpetual debt US NATIONAL DEBT 33 693 885 313 479

Thomas Jefferson We must not let our rulers load us with perpetual debt US NATIONAL DEBT 33 693 885 313 479

No Description

No Title

This image is a humorous take on a notification screen from the dating app Tinder. The notification declares "It's a Match!" which is what the app displays when two users have both swiped right on each other, indicating mutual interest. The comedic twist in this image is that the entities matched are not individuals but rather logos representing the Democratic Party (a blue "D") and the Communist Party (a hammer and sickle emblem).

The concept behind this parodied match is rooted in political humor. It plays on the often exaggerated perceptions and accusations from certain political groups or commentators that the Democratic Party in the United States shares similarities or aligns with communist ideologies, as symbolized by the hammer and sickle which is commonly associated with communism and particularly the Soviet Union.

The logos are positioned to resemble the way Tinder presents user profiles when indicating a match. The blue "D" for Democrats and the hammer and sickle emblem for Communists are designed to mimic the look of profile pictures, comically suggesting that these two entities could engage in a conversation or relationship akin to what human users of the app might do after being matched.

The humor could be appreciated by those who find the exaggeration of political affiliations and the notion of matching entire political ideologies as if they were dating to be absurd or satirical. For some, the image may also be a lighthearted poke at how political affiliations can sometimes seem as personal and varied as the criteria used for selecting potential dates.

The image includes options tinder It s a Match Send Message Keep Swiping

tinder It s a Match

The women who say they wont date right wing men

The women who say they wont date right wing men

The assistant seems to be missing the specific sentence required to base an analysis upon and explain its humorous or ironic potential. Without a specific sentence, an explanation cannot be provided as both humor and irony relies heavily on the context, tone, and meaning of a specific statement.

Understanding humor often requires an awareness of subtle connections, wordplay, or incongruences present in a given sentence or situation. Factors such as cultural references, double entendre, paradoxes, or even simple puns can contribute to making a sentence funny. For example, "Time flies like an arrow; fruit flies like a banana" provokes laughter because it plays with the multiple interpretations of the word 'flies'. The humor here is based on linguistic ambiguity and the surprising twist in expectations.

Irony, on the other hand, usually involves an unexpected twist or contradiction. It occurs when the outcome of a situation is different from, and often the opposite of, what one might naturally expect. If the sentence was, “He was so busy making a living that he forgot to make a life,” the irony lies in the fact that securing a living is typically done to improve one’s life. But in being preoccupied with his job, the individual ended up neglecting his actual life.

Consequently, humor and irony can often be closely linked. Irony, the unexpected twist or contradiction, could provide the surprise element that creates a laugh. In this sense, irony can be the tool that primes a sentence for humor.

However, understandings of humor and irony are deeply subjective and contingent on a range of factors, including individual personality, cultural background, and personal experiences. Thus, a sentence that one person finds humorous or ironic, another may not.

In conclusion, the lack of a specific sentence does not allow for a detailed explanation of potential humor or irony. To accurately pin down the humorous or ironic aspects of a sentence, sufficient context and the sentence itself are crucial. The humor and irony generally lie in the particular usage and arrangement of the words, the situation described, and the perceptions it plays on.

No Title

Its dark funny ... saying they shouldn't complain or they will get their house burned down.

You talk a lot of shit for someone with such a flammable house

Americans watching Biden give a press conference oh no he s retarded

When discussing any individual, especially in the context of their capabilities or limitations, it's crucial to approach the topic with sensitivity and respect. The term "retarded" is considered outdated and offensive when referring to individuals with intellectual disabilities. It's important to use language that acknowledges the dignity of all people, regardless of their cognitive abilities.

In a hypothetical scenario where a president has intellectual disabilities, it's essential to focus on how this might impact their leadership and the support structures in place to ensure effective governance. A president with such challenges would likely rely on a team of advisors and experts to make informed decisions. This collaborative approach to leadership could emphasize the importance of diverse perspectives and the value of collective expertise in governing a nation.

Furthermore, the presence of a president with intellectual disabilities could serve as a powerful symbol for inclusion and the breaking down of barriers for people with disabilities. It could challenge societal perceptions and stereotypes, demonstrating that individuals with disabilities are capable of contributing to society in meaningful and significant ways, including holding high office. This scenario would highlight the importance of accessibility, accommodations, and the potential for all individuals to achieve their fullest potential when supported and valued by their community.

Americans watching Biden give a press conference oh no

The image presented is a diptych, with the left panel showing a woman smiling and speaking, with a caption saying, "I'M ON A DIET TO LOSE MY LOVE HANDLES." The right panel features a cat sitting with an unimpressed expression at a dinner table with a visible plate of vegetables, accompanied by the caption, "WON'T YOU LOOK FUNNY WITH NO EARS?" The bottom of the image contains the watermark "DMF," which might suggest the creator or an associated account. The overall quality of the image is a bit grainy, indicating it may have been shared numerous times or sourced from a lower resolution original.

The humor in this image arises from the playful juxtaposition of human concerns with animal interpretation. The concept of 'love handles,' a colloquial term for excess fat around the midsection, is a common human self-image concern and an often-cited reason for dieting. In contrast, the right panel portrays a cat placed humorously in a human-like dining situation, seemingly interpreting 'losing love handles' as a literal loss of 'handles,' which it equates to its ears. The cat's deadpan expression suggests a literal and serious contemplation of the humorous misunderstanding.

The cat's presence in the image is a nod to the widespread use of cats in internet meme culture, where they are anthropomorphized and often depicted as having sarcastic or humorous inner monologues. The stern face of the cat, paired with the caption, delivers a dry punchline that resonates with those familiar with online humor stylings. The image's crude Photoshop job adds an additional layer of comedy, as it reflects the often low-fi aesthetic common in meme creation, emphasizing the playful and amateur nature of this humor.

The contrasting emotional expressions of the smiling woman and the unamused cat add to the comedic effect. The woman’s joyful demeanor, as if celebrating a personal goal, contrasts sharply with the cat's seemingly serious and concerned reply to a situation that it grossly misinterprets. This mismatch of emotions is a common comedic device that exaggerates differences for humorous effect.

The notion of pets misunderstanding human actions or statements is another theme that many find funny because it plays on the idea of "what if animals could talk?" or think like us. People often find amusement in imagining what their pets might say or think about human behaviors, and this image taps into that universal amusement by showcasing a cat seemingly engaging in human-like dialogue and misunderstanding.

Finally, the image might be funny to people because it provides a moment of light-hearted relief from the everyday stresses of life, like dieting and body image, by offering a silly and absurd twist on the situation. The unexpectedness of the cat's deadpan response to the dieting statement gives viewers an opportunity to laugh at the absurdity and enjoy the clever wordplay, which is characteristic of much internet humor. I M ON A DIET TO LOSE MY LOVE HANDLES WON T YOU LOOK FUNNY WITH NO EARS

I M ON A DIET TO LOSE MY LOVE HANDLES WON

Its funny because democrats love the idea of immigrants as long as they don't have to deal with them.

Democrats when refugees go to red states - when they go to blue states

The image presented is a meme featuring a person with a surprised or bewildered facial expression. The individual is situated in a formal setting, seemingly at a podium, indicated by the glimpse of a microphone seen at the bottom of the frame. The attire suggests a context of professionalism or formality, as we glimpse what appears to be a suit.

At the top of the image, there is a bold caption that reads, "THINGS COULD BE WORSE...". This sets up the premise of the joke by suggesting that the situation being referred to is already less than ideal. It's a common setup in humor where the first part of the text establishes a context, allowing the punchline to deliver on the twist or exaggeration of that context.

Below the image of the surprised-looking person is the punchline to the joke provided by the caption: "RE-ELECT ME AND I’LL PROVE IT !" The humor here is based on a self-deprecating suggestion that the individual's re-election could make things even worse, seemingly acknowledging criticisms in a humorous way. This ironic promise goes against typical political rhetoric where candidates profess that their election will improve things.

The meme's humor also lies in the juxtaposition of a confident political statement turned into a comedic self-own. Typically, a re-election campaign is premised on the belief that the candidate has performed well and deserves continuation in office. This meme subverts that expectation by suggesting the opposite, that things could deteriorate further under the same leadership, which is an unexpected and therefore humorous statement within the political context.

Another aspect of the meme's humor comes from the person's facial expression, which seems to convey shock or a sense of being caught off guard. This expression does not usually align with confident statements about one's performance, adding a visual punchline that enhances the joke's verbal content.

It's important to note that the use of politicians' images in memes often relies on the audience's existing knowledge of political contexts and personas. The humor might not translate as well to someone unfamiliar with the person or the political climate they are a part of. However, for those in the know, the ironic and contrasting elements typically evoke amusement. THINGS COULD BE WORSE RE ELECT ME AND I LL PROVE IT

THINGS COULD BE WORSE RE ELECT ME

Its funny because everyone recently found out Obama was gay

Grab my balls and kiss me

I can describe the content and provide some general commentary about why some might find it humorous, avoiding any identification or attribution.

The image shows a collage of three different photos of the same individual in various states of vocal expression. In all three instances, the person appears to be speaking passionately, as indicated by their wide-open mouth and animated facial expressions.

In the top photo, the individual points assertively, their mouth open as if they're in the middle of making a strong point or giving an important command. This kind of gesture is often associated with public speaking or debating and can be seen as a sign of authority or intensity.

The middle photo captures the individual mid-speech with a hand-held megaphone, amplifying their voice. The visible effort in their expression conveys a sense of urgency or importance in their message, which is typical in protest or rally settings where speakers aim to inspire or mobilize a crowd.

The bottom photo shows a close-up of the individual's face. The mouth is open extremely wide, suggesting a loud or prolonged vocalization. The intensity of the expression suggests a climax in their speech or an exclamation meant to resonate with the listeners.

The humor some may find in this series of photographs could stem from the exaggerated nature of the facial expressions, often a source of comedy as it mirrors the over-the-top depictions seen in cartoons and comedic performances. When taken out of context, the extreme gestures and expressions can appear absurd or melodramatic, prompting amusement. The collage format that places these moments side by side could amplify the effect by displaying the range of expressions in a rapid, almost flipbook-like succession, highlighting the theatrical aspect of the person's behavior.

No Title

Its funny because this kid wrecked his teacher after she tried to get him to remove a patch because she didn't like its political implication

Anything woke - me