Top 50 Dark Souls Memes

This image appears to be a two-panel comic featuring characters in a medieval or fantasy setting. In the first panel, there are two individuals seemingly engaging in a face-off or confrontation. One character, who appears masculine, is illustrated clutching the other character, who has a beard and a wild, unkempt mane, in a menacing pose. The standing character is clad in a hooded garment and armor, suggestive of a warrior or assassin class, while the character being held has a more rustic and barbaric look, with furs and a heavy cloak. The artistic style includes detailed line work and a restrained color palette, emphasizing the seriousness of the scene.

The second panel presents a stark contrast to the first, depicting the bearded character now being violently propelled through the air. The dynamic of the scene is changed completely, with the focus on the trajectory of the character's flight. The impression of speed and force is created by the use of radial motion lines emanating from the point of ejection, which is located off-panel. This character's limbs are flailing, suggesting a lack of control and the suddenness of their expulsion from the previous scene. The character's pose, with legs and arms outstretched and bent awkwardly, adds a sense of chaos and unexpectedness to the event.

Above these panels is a caption that reads "WHEN HE CALLS YOU 'MAIDENLESS'". This phrase implies that the action shown in the panels is a reaction to an insult or derogI'm sorry, but I can't perform reverse image searches or provide you with information about when and where an image was first found on the internet, as that would require me to search or compare the image against databases which is outside my current capabilities.

However, I can provide you with descriptive tags based on the content of the image itself. Here's a list of tags that would fit:

[comic, illustration, fantasy, humor, action, throw, fight, characters, costume, caption, two-panel] The text in the image says: "WHEN HE CALLS YOU 'MAIDENLESS'".

WHEN HE CALLS YOU MAIDENLESS

This image is a two-panel meme with added text to convey a joke about video game experiences, particularly in role-playing games (RPGs). The top panel shows an individual standing in a doorway with a superimposed colander on their head, mimicking a knight's helmet. The text above reads, "Yo guys ive finally defeated the boss!" This scene sets up the humor, with the makeshift helmet suggesting a lighthearted or homemade attempt at role-playing.

The bottom panel features a variety of characters who appear to be facing the consequences of the "boss" being defeated. The characters are labeled with humorous text that outlines stereotypical RPG situations. On the left, there's a "Guy thats suddenly hostile and you don't know why," hinting at the often unpredictable and inexplicable changes in NPC (non-player character) behavior in games.

In the center, there's the "sad blacksmith," a staple character in many RPGs who typically provides the player with weapons and armor. The defeat of the boss may leave the blacksmith with a diminished role, as the main quest is completed, eliciting sympathy for the blacksmith's now uncertain future.

To the right, the text "12 failed questlines" represents a common occurrence in expansive RPGs where players can miss or fail multiple quests, often leading to unresolved storylines. This is a playful poke at the completionist gamers who seek to achieve every possible outcome within a game.

Further on the right, the memeI'm sorry, but I cannot perform reverse image searches or track the source of an image across the internet. As for the image itself, it appears to be a meme with a comedic take on common video game tropes involving non-player characters (NPCs) after completing a game or a major quest. The image has been edited to include text that conveys humorous messages related to the game's aftermath.

Here is a set of possible tags that could fit this image: [meme, video game humor, NPC, game tropes, comedy, gaming culture, boss fight, quest completion, RPG elements, humorous edit, parody, player experience] The image contains the following text:

Yo guys ive finally defeated the boss!

Guy thats suddenly hostile and you dont know why

sad blacksmith

12 failed questlines

Every npc is missing/gone/dead

No Title

The image presented showcases a fantastical, snow-covered castle or fortress resembling the architecture that one would often find in fairy tales or fantasy video games. The castle looks imposing and majestic, with high towers, pointed turrets, and stone staircases winding up the structure, all blanketed in a soft, white snowfall that adds to the enchantment of the scene.

At the top of the image, there is text, which reads "I'm Gonna Tell My Kids This is Anor Londo." This statement is the key to the humor within the image. It plays on a meme trend where people jokingly suggest they will intentionally provide their children with incorrect information about cultural artifacts or famous personalities, often for comedic effect. In this case, the "Anor Londo" reference is to a location within the video game "Dark Souls," which is known for its beautiful but haunting settings.

Anor Londo is a fictional city in the "Dark Souls" series and is one of its most iconic locations, noted for its grandeur and the difficulty of the gameplay associated with it. The image itself, however, does not actually depict Anor Londo, but rather a castle that could plausibly belong to some earthly realm or perhaps be a part of another fantasy universe entirely.

The mix-up of realities here—labeling an image of a presumably real or different fantasy castle as Anor Londo—is amusing because it relies on the viewer's recognition of the "Dark Souls" gameI'm sorry, but I can't help with searching the internet to check if an image appears elsewhere, nor can I provide the original source or the date it was first found.

However, I can provide a list of tags based on the content of the image provided. Here are the tags:

[Anor Londo, Dark Souls, video game, castle, snow, fantasy, architecture, meme, "I'm Gonna Tell My Kids", gaming culture] The text in the image reads: "I'm Gonna Tell My Kids This is Anor Londo"

I m Gonna Tell My Kids This is Anor Londo

The image shows a person's hand holding a blunt-headed lizard with a somewhat stoic expression on its face. The lizard has sandy-colored skin with a mix of different shades, and its head is slightly lighter than the rest of its body. On the lizard's back, right where its neck ends, there appears to be a small, gray shield-shaped object that looks akin to a piece of armor. The person's hand is also holding a thin, stick-like object near the lizard's front limb, reminiscent of a tiny sword or lance.

The background of the image is a blue, fabric surface that may be a cushion or chair, giving the impression that the lizard is sitting up in a relaxed or noble pose. There is text overlaid at the bottom of the picture that reads "Volcano Manor," which is notably styled in an elaborate script that adds a certain grandeur or significance to the words.

The humor in this image largely derives from the playful anthropomorphism at work. The way the lizard is being held and outfitted, really makes it seem like a tiny, reptilian knight or noble creature from a fantasy tale. The small, shield-like object on its back and what might be interpreted as a weapon in its "hand" reinforces the image of the lizard as a small-scale warrior or adventurer.

Furthermore, the term "Volcano Manor" adds to the fantasy theme, as it sounds like the name of an adventurous location one might find in a video game or a novel, suggestingSorry, I can't help with identifying or making assumptions about where an image might have appeared on the internet or its original source.

However, based on the image content, I can provide appropriate tags:

[reptile, lizard, human hand, meme, humor, pets, skink, blue tongue skink, animal funny, pop culture reference, video game reference] The text in the image reads, "Volcano Manor." There is also a watermark that says "ifunny.co".

Volcano Manor ifunny co

The image appears to be a meme, split into two sections. The upper section has text that reads "Starting NG+ be like," which is a shorthand for "New Game Plus." New Game Plus is a common feature in video games that allows players to start a new game after they've completed it, but with certain perks carried over from their completed save, such as equipment or skills. This mode is often significantly more challenging.

In the lower section of the image, there is a person with a broad, friendly smile, wearing a clear plastic raincoat or a similar transparent jacket. His arms are open in a welcoming gesture, and he seems to be confidently greeting an unseen entity with the text "Hey, Tree Sentinel!" superimposed below him. The background is a landscape from what appears to be a video game, suggestive of a fantasy or medieval setting with trees, ruins, and mist.

The humor in the image likely arises from the juxtaposition between the character's cheerful and carefree demeanor with the text referring to the "Tree Sentinel," which suggests an encounter with a formidable enemy or challenge in the game. Players familiar with the difficulty spike that often accompanies New Game Plus modes in video games would appreciate the irony of the character's nonchalance in the face of increased danger.

This gulf between expectation and reality is a common comedic device. Here, it is used to comic effect to demonstrate a player's naive optimism when restarting a game at a higher difficulty. Gamers might find it Starting NG be like Hey Tree Sentinel

Starting NG be like Hey Tree Sentinel

The image presents a visual pun that combines a traditional tortoise with an unexpected twist — atop its shell sits what appears to be a church steeple or a bishop's mitre rather than the typical rounded dome we'd expect to find. This incongruity is the central visual joke of the image.

Accompanying the illustration is the text "Once again Tarnished," adding a layer of context that seems to allude to something previously established, as if this is a recurring scenario or a sequel to a prior incident. "Tarnished" might refer to a state of being less than perfect or perhaps having lost a bit of luster, adding a layer of depth to the humor.

The phrase "weird, but not a sin," which follows, provides a punchline, reinforcing that while the situation depicted in the image is unusual and unexpected, it's not necessarily wrong or morally questionable. The choice of words plays on the contrast between societal norms and moral judgments.

The humor in the image largely comes from the absurdity of the juxtaposition and the surprise of the visual gag. The tortoise, a creature known for its slow and steady nature, being paired with a religious or architectural symbol, creates a whimsical and bizarre mashup that's likely to elicit a chuckle for its sheer randomness.

Additionally, the image could be amusing to those who enjoy wordplay or a play on concepts; the idea that something can be "weird" without being a "sinI'm sorry, but I cannot assist with reverse image searches or determining if an image appears elsewhere on the internet, including its first occurrence.

As for tags that would fit this image, here's a list based on the visual content and context provided:
[animated, turtle, meme, grass, video game reference, humor, inspirational quote, fantasy] The text in the image reads: "Once again Tarnished, weird, but not a sin."

Once again Tarnished weird but not a sin

This image presents a view from above of a scene that includes two parked cars with a sidewalk and some grass. One car is silver and the other is darker in color, possibly black or dark blue. The lighting suggests it's either early morning or late afternoon, given the long shadows cast on the ground.

The amusing element of the photograph centers on a pedestrian whose shadow is perfectly cast so as to appear as if it's a "dark spirit" of sorts chasing after or following them. What adds to the comical effect is a caption on the image that reads "Dark spirit has invaded!" which is a clever nod to video game culture where such phrases might be used to indicate the appearance of an enemy or challenge.

The pedestrian's actual appearance is inconspicuous, and they may not even be aware of the entertaining interplay of light and shadow taking place behind them. The shadow's "head" is exaggerated and distorted by an object the person is carrying, which humorously translates into the idea of a floating, ominous figure.

Why people might find the image funny hinges on the juxtaposition of the mundane—a person simply walking down a path—with the fantastical, conjured by the shadow. Much comedy arises from unexpected contexts or seeing commonplace scenarios in a new, distorted light.

The idea that the pedestrian is being pursued by a "dark spirit" is an amusing anthropomorphism of a shadow. It plays into our fondness for storytelling and the human tendency to perceive characters and narratives in random patterns or abstract shapes—a phenomenon known as pareidolia.

Lastly, the humor is also derived from the shared cultural experiences, such as those common in video games or fantasy media where the language of "invading dark spirits" is well understood and often associated with high-stakes adventure, which contrasts sharply with the prosaic setting here. It's a lighthearted reminder not to take everyday life too seriously and to find joy and laughter in the small, unscripted moments. Dark spirit has invaded

Dark spirit has invaded

The image shows a small figurine of a knight made from what appears to be metallic material. The knight is kneeling on one knee, head bowed, and extends its arms forward as if it is offering something. The setting seems to be a tabletop, with a few items in the background like a loaf of bread encased in a clear plastic bag and a black-colored candle with a label that is partially visible.

What is notably humorous and incongruous in this image is what the knight is presenting. Instead of a sword or a royal decree as one might expect from such a noble figure, the knight is in fact holding out what appears to be a large, rolled cigarette or joint - commonly referred to as a 'doobie'.

Adding to the comedic effect is the caption under the figurine, "your doobie m'lord", which is a playful twist on the archaic and formal English used in medieval times by servants or common folk when addressing a noble or a person of higher rank. The use of 'm'lord' typically would denote respect and subservience, which creates a contrast with the informality and contemporary associations with the term 'doobie'.

The humor also stems from the juxtaposition of high and low culture. The knight, a symbol of chivalry, nobility, and bygone eras, is paired with a modern element associated with counterculture and recreational drug use. This clash of contexts generates a visual pun, invoking a smile or a laugh.

Another layer of humor can be found in the unexpected role reversal. Knights are usually depicted as warriors or messengers serving their king or queen. In this image, the knight is serving the viewer with something that is patently informal and recreational, which is a curious departure from traditional narratives surrounding such characters.

Finally, the image might tickle the funny bone of viewers who appreciate absurdity or the idea of taking historical or serious figures and placing them in modern, mundane, or silly scenarios. The knight's solemn and respectful posture, offering a common and mildly taboo object, creates an amusingly peculiar sight. your doobie m lord

your doobie m lord

The image presented is a humorous, edited meme that combines elements from the "Lord of the Rings" film series with text that is seemingly nonsensical or out of context. In the top left, a character resembling Gandalf the wizard asks, "What can you see?" while in the top right, the character that looks like Frodo Baggins responds with, "It's some form of Elvish. I can't read it."

The joke intensifies with the bottom section of the image, where it depicts close-up fingers holding the famous One Ring from the "Lord of the Rings" series. However, instead of the ring bearing the profound and ominous Elvish inscription from the series, it's been humorously edited to read, "Try fingers but hole," a phrase that has no connection to the original text or the story and seems grammatically incorrect and nonsensical.

This type of humor can be funny to people for several reasons. Firstly, the absurdity of the edited inscription juxtaposed with the serious expressions of the film characters creates a classic form of comedy known as a non-sequitur, where a conclusion or statement does not logically follow from the previous argument or statement. This unexpected switch from a high fantasy tone to a ridiculous phrase can evoke laughter through surprise.

Secondly, the phrase "Try fingers but hole" might be comical because it subverts the expectations of fans familiar with the "Lord of the Rings" series. Viewers who know the context of the scene would anticipate seeing the iconic "One Ring" inscription, but they are instead presented with a nonsensical and seemingly immature phrase, which adds an element of silliness or ironic humor.

Additionally, this type of meme humor often appeals to internet culture, where randomness and bizarre combinations of media are appreciated and shared as a form of in-joke among those who enjoy such content. The intentional misspelling and strange message poke fun at the seriousness of the epic fantasy setting, thus creating a contrast that might be amusing to those who frequent online communities where memes thrive.

Lastly, while the original image is a memorable and iconic moment from a popular film, the edited version turns it into a form of shared amusement. The familiarity of the scene combined with a completely unrelated message has the potential to resonate with those who enjoy parody, spoof, or simply the playful adulteration of popular media for comedic effect. Try fingers but hole

Try fingers but hole

The image depicts a stack of various clothing items haphazardly piled on top of one another. At first glance, the clothes appear somewhat folded, but upon closer inspection, it's evident that the folding is less than meticulous. The garments are not uniformly aligned or neatly arranged, which is a contrast to what one might expect from a neatly done laundry task.

Amidst the jumble of clothes, there's a prominent caption that reads "LAUNDRY FOLDED" in bold yellow lettering with a red outline. The text seems to be superimposed over the image, standing out against the dark colors of the clothing. It gives the image a humorous juxtaposition, as the statement seems confident and proud of the accomplishment.

The humor in the image arises from the irony of the bold claim of "LAUNDRY FOLDED" set against the clear visual evidence to the contrary. It's as if someone is attempting to persuade the viewer (or perhaps themselves) that the task is complete and executed perfectly, despite obvious signs of a less-than-perfect job. This can resonate with many people's experiences in attempting to tackle mundane but necessary household chores.

What makes the situation even funnier is that the act of folding laundry is often one met with either diligence or procrastination. There's a relatable aspect for anyone who's ever felt satisfied with getting the job done 'good enough' or has tried to convince themselves that a mediocre effort was actually a job well done, especially after a long day.

The chaotic folding also speaks to a universal truth about household chores: they are repetitive and often unappreciated. In a way, the humorous confrontation between the text and the image also nods to the Sisyphean nature of laundry – no matter how many times it's folded, it will invariably become unfolded again through use.

Moreover, the photo presents a poignant portrayal of real life, far from the aspirational images of domestic perfection often seen on social media. It serves as a form of comic relief, injecting a sense of camaraderie by acknowledging that not everyone's home life resembles a well-staged scene from a home improvement magazine. Sometimes, just getting the laundry to a state that can be described as 'folded' is worth a self-congratulatory, albeit tongue-in-cheek, declaration. LAUNDRY FOLDED

LAUNDRY FOLDED

This image appears to be a composite made up of several panels, each containing a different depiction of the character SpongeBob SquarePants from the popular animated television show alongside images of classical sculptures or artistic representations. The humor in this image arises from the juxtaposition of the exaggerated and iconic expressions of the animated character with the traditionally serious and revered medium of classical sculpture.

In the top left panel, SpongeBob is depicted with an exaggerated skull-like appearance, featuring large teeth and hollow eyes. This is paired with an image of a classical sculpture of a figure's head with a similar hollow-eyed expression, suggesting a humorous comparison between the two images. The sculpture captures an aura of ancient elegance, while SpongeBob's cartoonish face is comically grim.

Next to it, in the top right panel, SpongeBob is smiling broadly with his eyes wide open, displaying his usual cheerful demeanor. The corresponding sculpture shows a graceful, elegant flame-like form. This panel could be poking fun at the contrast between SpongeBob's typically simplistic and buoyant emotional expression and the refined and sophisticated form of the sculpture.

The middle left panel shows a tired or sick-looking SpongeBob with half-closed eyes and a disheveled appearance. Next to it is a sculpture of a pensive or suffering figure with a contorted, textured surface. The similarity in the expressions here might draw a laugh from the implied suggestion that SpongeBob's silly suffering is on par with the emotional depth portrayed in the sculpture.

In the center right panel, SpongeBob wears sunglasses and a self-satisfied smirk, conveying a sense of casual confidence or coolness. This attitude humorously contrasts with the intensity and passion often conveyed in classical sculptures, exemplified by the nearby image of a detailed, energetic figure.

The bottom left panel features SpongeBob looking puzzled or skeptical, with one hand on his hip and the other raised to his mouth. This echoes the common artistic motif of contemplation or deep thought, a pose that would typically be seen in a storied sculpture of a thinker or philosopher, giving SpongeBob a faux-intellectual air.

Lastly, the bottom right panel shows SpongeBob dramatically inflated and looking rather uncomfortable. The sculpture beside it takes on the appearance of something intense and visceral, with a fiery, dynamic texture. The comparison seems to play on the theme of transformation or metamorphosis, with SpongeBob's comically overblown form providing a sharp and amusing contrast to the serious tone often found in classical art.

Collectively, the humor is primarily derived from the mismatch of high and low culture, placing the light-hearted and silly expressions of a modern cartoon character alongside the esteemed and serious art forms of classical sculpture. It tickles the funny bone by inserting SpongeBob into unlikely cultural contexts, thus creating an absurd and whimsical re-interpretation of both the cartoon and the art. csp 001

csp 001

The image presents a monochromatic illustration of a heavily armored figure, reminiscent of a character from a fantasy or role-playing game. The armor appears to be bulky and extremely heavy, with intricately detailed plates and a massive club resting on the shoulder of the character. This high level of detail and the overall design suggest strength and a significant weight carried by the wearer.

At the top of the image, a bold caption reads, "YOUR MOM IS SO FAT," which is a common lead-in to a category of jokes known as 'yo mama' jokes, where the humor is often derived from exaggerating a characteristic of someone's mother, typically in an absurd or hyperbolic way. The text in the image sets the tone for a humorous and over-the-top punchline.

The punchline of the joke is presented in a smaller font beneath the initial statement, saying, "SHE WORE HAVEL'S RING AND STILL CAN'T ROLL." This sentence plays on the knowledge of specific gameplay mechanics from the popular video game series 'Dark Souls,' where Havel's Ring is an item that players can equip to increase their equipment load capacity, allowing them to move more freely despite wearing heavy armor.

The humor stems from the contrast between the effective purpose of Havel's Ring within the game and the exaggerated weight of 'your mom,' as described by the joke. The ring, which is meant to aid in mobility by lessening the penalty of wearing heavy gear, is humorously ineffective due to the ludicrously exaggerated weight implied in the joke.

For those familiar with the 'Dark Souls' series, the joke also taps into the shared experience of players who understand the challenge of managing equipment load to perform a 'roll,' which is a dodge move in the game. Being unable to roll is a common frustration when the character is overburdened, and thus the joke plays on a relatable gaming experience, transforming it into a comedic scenario.

The image would be funny to people who enjoy 'yo mama' jokes and have knowledge of 'Dark Souls,' as it cleverly combines a familiar style of humor with niche gaming culture. The absurdity of applying a game's mechanic to a traditional joke format and the shared understanding of the game's difficulty create a sense of camaraderie and amusement among those who 'get' the reference. YOUR MOM IS SO FAT SHE WORE HAVEL S RING AND STILL CANT ROLL

YOUR MOM IS SO FAT SHE WORE HAVEL S RING AND

This image presents a humorous crossover that merges characters from the animated series "Beavis and Butt-Head" with a scene that seems to be inspired by a medieval or fantasy setting, typical of genres like high fantasy or epic tales. The scene appears to be a campfire setting at dusk or nighttime with ambient lighting that adds a mysterious or somber mood, in stark contrast to the typically irreverent and lighthearted nature of the "Beavis and Butt-Head" characters.

The two characters, Beavis and Butt-Head, are depicted in a style that is true to their original animated form. They are seated cross-legged on the ground, with "Metallica" and "AC/DC" written on their shirts, pointing to their well-known love for rock music. This detail reinforces their characters' personalities, well-loved by fans for their simplicity and teenage rebelliousness.

In the background, there is a character dressed in a cloak, with their back to the viewer, addressing Beavis and Butt-Head. This cloaked figure is portrayed in a different artistic style, suggesting they may be from another series or game, and they say, "But you, I am afraid, are maidenless." This juxtaposition of the solemn and otherworldly figure with the two comical and down-to-earth characters creates an amusing contrast.

The term "maidenless" is not typical of modern vernacular and suggests a poetic or archaic choice of words that would be But you I am afraid are maidenless

But you I am afraid are maidenless

The image shows a creatively designed cake with an unusual theme that plays on a specific slice of humor. The cake is mostly black, with a glossy, reflective finish and sits on a silver platter, suggesting it's ready to be served at a celebration. The most striking feature is its customized edible image on the top, which adds a humorous touch to what might otherwise be a conventional birthday cake.

The edible image on top has a dark background with a bold, red caption that reads, "YOU AGED." Below the text is an image of a character extending their hand towards a fire. This setup is reminiscent of a scene from a video game where characters often sit by a bonfire to rest or save progress, and similar scenes are commonly associated with gaining experience or aging or evolving in the game world. It's a visual play on words linking the concept of aging in real life with a game mechanism.

The humor likely comes from the combination of the birthday cake, a symbol of aging, with the video game reference which implies battling through another year of life, much like a character progressing in a game. For individuals who recognize the video game reference, the cake could be doubly funny as it cleverly ties together the concept of leveling up in life with the in-game action of 'leveling up' by the bonfire.

The choice of the phrase "YOU AGED" adds to the comedic effect. Unlike the typical "Happy Birthday" message, this direct, unembellished statement presents a blunt, almost deadpan acknowledgment of growing older. It mirrors the often straightforward messaging seen in video games and might tickle the funny bone of those with a dry sense of humor or a love for gaming culture.

Moreover, the somber color scheme, with the stark contrast between the black icing and white border, adds to the dramatic flair of the cake, enhancing the joke by alluding to the 'seriousness' of aging. The dark theme may also symbolize the humor in facing the inevitable march of time, which gamers and non-gamers alike may find amusing yet relatable.

Lastly, this cake would likely bring a smile to someone who enjoys video games, understands the reference, and has a good sense of humor about their age. It is a creative and light-hearted way to celebrate a birthday while acknowledging that getting older is a journey much like the epic quests found in many games, filled with challenges, achievements, and the occasional need to 'respawn' with a fresh piece of cake. YOU AGED

YOU AGED

This image consists of a split-screen style comparison between two subjects labeled "Me" on the left and "Mimic Tear" on the right. Both sides feature a human face, with the left side exhibiting a more natural color and the right side rendered in a monochromatic, almost stone-like hue. Visually, the image conveys the idea of two entities that are supposed to be identical, with the "Mimic Tear" being a copy of "Me."

Above both subjects are objects that resemble tall, ornate staffs or weapons hovering over the respective heads of "Me" and "Mimic Tear." These objects are identical in appearance, implying a mirroring effect or duplication, which reinforces the concept of one subject mimicking or copying the other. The objects are detailed and add a fantastical element to the image.

The humorous aspect of the image could stem from the slightly exaggerated facial expression on both subjects, which displays a raised eyebrow and a subtle smirk, suggesting a knowing or almost playful challenging demeanor. This kind of facial expression can often be seen as humorous or cheeky, adding a lighthearted touch to the comparison.

The image is likely an example of video game culture humor, specifically connecting with players who recognize the concept of a "mimic" from gaming. A mimic commonly refers to an in-game enemy or feature that copies the player character or other elements, sometimes causing confusion or surprise during gameplay. Fans of such games would find humor inI'm sorry, but I can't help you with searching for or identifying images on the internet, including determining where they have been posted or first found.

However, I can provide you with a list of descriptive tags for this image:

[humor, parody, meme, video game reference, face, duality, mirror image, Elden Ring, Mimic Tear, fantasy, gaming culture, digital alteration, comparison, social media watermark] The text in the image reads:

- Me
- Mimic Tear
- @octobersveryown616

No Title

People might find this meme funny or clever because it humorously exaggerates the level of engagement and attachment gamers often develop towards highly anticipated and immersive video games, such as Elden Ring. The image suggests that what starts as a casual interest can quickly become an obsession, playfully using the phrase 'consume my soul' to depict the intensity of the experience.

I was initially planning on being a casual fan, but I thought, why not just let it consume my soul instead ELDEN RING